‘The Devil Wears Prada 2’ Struts to No. 1 at Box Office With $77M Debut

Twenty years after the original, the sequel to The Devil Wears Prada made a splash in its first weekend in theaters. Driven largely by women, The Devil Wears Prada 2 earned $77 million in the U.S. and Canada, and $156.6 million internationally, according to studio estimates Sunday (May 3). It easily topped the box office and bumped Michael to second place, though the musical biopic held well in its second weekend, falling only 44%.

The Walt Disney Co.’s 20th Century Studios opened The Devil Wears Prada 2 in 4,150 locations in North America. Women made up about 76% of the ticket buyers, according to PostTrak exit polls; 74% said they would “definitely recommend” the movie to friends. Critics were a bit mixed on the sequel, which finds Anne Hathaway’s Andy Sachs working once more for Meryl Streep’s Miranda Priestly at the fictional Runway magazine in a much-depleted media landscape.

The movie cost a reported $100 million to produce — a significant boost from the first movie’s $35 million production budget. But as filmmaker David Frankel told The Associated Press recently, “As it turns out, you know, by the time you finish paying all the biggest movie stars in the world, you still end up with basically the same budget for making the movie as we did the first one.”

Stars Streep, Hathaway, Emily Blunt and Stanley Tucci have been on a fashion-forward global publicity blitz for weeks, with glamorous stops in Tokyo, London and New York. Even Anna Wintour, the inspiration for the Prada-clad devil, has been involved this time, appearing with Hathaway on the Oscars stage and with Streep on the cover of Vogue.

The first movie opened in June 2006 and would go on to earn over $326 million worldwide, not adjusted for inflation. And perhaps more importantly, it firmly became part of the culture thanks in part to its ever-quotable likes (“gird your loins,” “groundbreaking,” “that’s all”). Legacy sequels are never a sure thing, but this time anticipation was high: According to Nielsen, streaming viewership for The Devil Wears Prada was up 428% from March 2026 to April 2026.

Second place went to Lionsgate’s Michael Jackson biopic Michael, which made $54 million in its second weekend in North America, where it’s playing on 3,955 screens. Its running worldwide total is already $423.9 million. Universal Pictures is handling the international release.

“This is on the great end of what we had speculated might happen, but we were very confident that we were going to have a great hold even with the assumption that Prada would do a lot of business,” said Lionsgate Motion Picture Group chairman Adam Fogelson. “The conventional wisdom that a new giant movie can knock out a movie that has planted itself is constantly proven inaccurate.”

This weekend marks the start of Hollywood’s summer movie season, a crucial 18-week corridor that runs through Labor Day and often accounts for around 40% of the annual box office. There are often Marvel blockbusters programmed as the season’s kickoff, but the combined power of The Devil Wears Prada 2 and Michael wasn’t a shabby substitute.

“This is a really solid weekend,” said Paul Dergarabedian, the head of marketplace trends for Comscore. “It’s this irresistible combination that more than makes up for the fact that there’s not a Marvel movie to kick off the summer movie season.”

Prada alone actually did better business than last year’s summer kickoff Marvel movie, Thunderbolts. There were several other new films in theaters this weekend as well, including the Adam Scott-led horror movie Hokum, Andy Serkis’s animated adaptation of Animal Farm and the Aaron Eckhart- and Ben Kingsley-led survival movie Deep Water.

They all opened behind The Super Mario Galaxy Movie, which made $12.1 million in its fifth weekend, and Project Hail Mary, which made $8.6 million in its seventh weekend. Neon’s Hokum led the newcomers with $6.4 million, rounding out the top five, followed by the very poorly reviewed Animal Farm with $3.4 million. Deep Water opened to $2.2 million.

In the top four movies, Dergarabedian has noticed a trend: “Over the past couple of months, moviegoers have really embraced pure, escapist entertainment,” he said.

The annual box office is currently running about 14% up from last year, with about $2.8 billion in domestic ticket sales to date.