Morgan Wallen revealed the title and release date of his next single on Saturday night (July 18), giving fans the first listen of “Been By Now.”

Wallen played the song live for the first time at his show in Baltimore, Md., at M&T Bank Stadium and revealed it’ll officially be released on Friday (July 24), as seen in videos filmed by concertgoers. He’s currently on his Still the Problem Tour, which brings him to Ann Arbor, Mich., next weekend and then wraps in Philadelphia, Pa.

Post-show, he shared a 40-second clip of the recorded version of “Been By Now” on social media.

“If it was meant to be, we’d have been by now/ We wouldn’t have to keep trying to work things out,” Wallen sings on the midtempo track that seems to be about a relationship that isn’t progressing, even though “baby, we’re a breeze when the lights go down.”

“Been By Now” will be the country star’s first new song release since his “I Can’t Love You Anymore” duet with Ella Langley, which arrived in April, and his 2025 hit album I’m the Problem, which spent a total of 13 weeks at No. 1 on the Billboard 200; it’s still appearing in the top 10 of the all-genre chart, landing at No. 3 on this week’s ranking. I’m the Problem currently leads the Top Country Albums chart (dated July 25) for the 45th nonconsecutive week — and he’s the artist with the most weeks at No. 1 in the chart’s 62-year history.

He has yet to announce any news about an upcoming studio album.

“Been By Now” can be pre-saved on streaming services here. Preview the new song via Wallen’s post on X below.

Justin Bieber got a pep talk from Ted Lasso (Jason Sudeikis) during the 2026 FIFA World Cup Halftime Show. In between superstar music performances at the Spain vs. Argentina match on Sunday (July 19), Lasso walked the stadium with the Apple TV+ series’ Coach Beard (Brendan Hunt) with commentary on how the entertainment was going so far — and then put Bieber on the field to serenade the world with “Everything Hallelujah.”

“Coach, I gotta say, first half of halftime knocked my darn socks off,” said Lasso, as played by Sudeikis in the surprise appearance by the Ted Lasso actors at New York New Jersey Stadium (aka MetLife Stadium) in East Rutherford, N.J. “How the heck is anyone gonna follow all that?”

Then the Belieber within rose: “You know what I think we need? We need some heart. You know, someone who has soul. Someone who can bring the love. Ooo. You thinking what I’m thinking?”

Enter Bieber, head down and acoustic guitar in hand, ready for Lasso’s words of encouragement.

“All right, young man,” he tells the pop star. “Let’s go! It’s your big shot. OK. Listen to me. Go out there. Don’t be nervous. Nobody’s watching. Make us proud.”

The bit led into Bieber delivering a smooth performance of “Everything Hallelujah,” from Swag II. It was quieter, earnest moment in an 11-minute halftime show full of high energy in musical performances from Madonna, BTS, Shakira with Burna Boy, Coldplay and more.

TheTed Lasso and Bieber segment was shared by FOX, the network broadcasting the 2026 World Cup, on social media. Watch the clip below, followed by the full halftime show, which FOX uploaded to YouTube.

FIFA and football; the NFL and football. The two different sports that share a name now share another thing – a star-studded, hyped-up halftime show.

Halftime shows have been part of the Super Bowl since 1967, its inaugural year, but 2026 marks the first major halftime show at the World Cup, which has been going on since 1930.

The change certainly has a little something to do with the fact that the final FIFA World Cup showdown takes place in the United States this year (New Jersey’s MetLife Stadium, to be exact). And Lord knows that Americans love a halftime show. Each year, the Super Bowl Halftime Show is reliably the most-watched single broadcast in the U.S., outpacing the second-most-watched broadcast by millions.

So: was the FIFA World Cup Halftime Show on Sunday (July 19) basically the Super Bowl Halftime Show during a soccer game, or did it feel like a fresh, distinct event?

Things certainly felt different from the start. Not to state the obvious, but the Super Bowl opens with three slow-building ballads: “The Star-Spangled Banner,” part of the Super Bowl from the start; “America the Beautiful,” sung annually since 2009 (though it was also performed in 1977, the sole year the National Anthem wasn’t performed at a Super Bowl); and “Lift Every Voice and Sing,” the Black National Anthem, sung at Super Bowls since 2021. These are emotionally impactful, vocally demanding songs that bring out ace singers, but not spectacle: people have their hands over their hearts during the National Anthem, they’re not doing choreo.

The FIFA World Cup, however, opened with pure spectacle: A Busby Berkeley-esque musical number called “Champions” by streamer IShowSpeed that involved dancers and musicians traipsing around an on-field image of the Empire State Building, augmented by bird’s-eye shots of a soccer ball stage. (Helpfully, the song made a point to let people know that “this is the World Cup” no fewer than 27 times – just in case anyone was confused.)

After that, Post Malone – decked out in his country duds but back to rapping – debuted a new song, “Chrome Heartbreaker,” and brought out Swae Lee for their Billboard Hot 100 No. 1 “Sunflower.” This “closing ceremony” performance was less spectacle than you’d get from a Super Bowl Halftime Show, yet more than you’d see in a pregame Super Bowl performance. For any Americans tuning into a World Cup for the first time, it let them know the vibes would be different.

More than an hour later, Robbie Williams, Nicole Scherzinger and Laura Pausini teamed up to blend voices on “Desire (Official FIFA Anthem)” while flags from dozens of countries waved around them. It was an emotionally charged performance, akin to what you’d get before an NFL kickoff, but it honestly felt more like something you’d see during the Olympics — it felt international, not national. (Which makes sense given that it was, as IShowSpeed repeatedly reminded us, the World Cup.)

Jennifer Hudson’s knockout rendition of “The Star-Spangled Banner,” however, felt very Super Bowl – clearly an olive branch to American viewers accustomed to years of hearing the U.S. National Anthem before each and every sports game. Even so, the fact that two additional national anthems were performed before the match – Spain’s “Marcha Real” by a brass band (it has no lyrics) and Argentina’s national anthem, sung by Maria Becerra – reminded everyone that even though the game was taking place in America, this was all about Spain and Argentina.

But what about the actual FIFA World Cup Halftime Show, produced by Global Citizen, featuring Madonna, BTS, Justin Bieber, Shakira and Burna Boy, the New York Philharmonic, the Simón Bolívar Symphony Orchestra and The Muppets’ Electric Mayhem? Two of the aforementioned artists have headlined the Super Bowl Halftime Show before (Madonna in 2012, Shakira in 2020 alongside Jennifer Lopez) while Chris Martin, the World Cup Halftime Show curator, headlined the 2016 halftime show as part of Coldplay. After an hour of soccer, was that 11-minute performance a taste of the familiar dropped into a new context?

Taken on their own, individual performances certainly had shades of Super Bowl: Madonna’s madcap musical medley (“Music,” “Disco Inferno” and “Danceteria”) on a dune buggy; Shakira’s hip-swiveling version of “Dai Dai” with Burna Boy on the field; and BTS’ pyro-laden performance of “Dynamite” all could have existed in the context of a Super Bowl. And there’s nothing wrong with that. After all, there’s a reason people keep tuning into the Super Bowl Halftime Show year after year – it’s entertaining! And those artists absolutely understood the assignment.

But for every moment that felt Super Bowl-esque, there was another one occupying a much different space from modern halftime shows.

Classical music maestro Gustavo Dudamel, wearing a pinstriped suit with his name and number on the back, joined the Muppets’ Electric Mayhem and the New York Philharmonic to sound the battle cry of “Seven Nation Army.” Watching Animal pound out the White Stripes’ primal percussion while professional violin players grunted and pulled their instruments back and forth like rowers (perhaps they’d all just come from a screening of The Odyssey) was an unexpected delight, occupying that sublime space between brilliant and silly (brilly, if you will). It was the kind of absurd cross-pollination Super Bowl audiences were used to during halftime shows of the 20th century, back when Ella Fitzgerald and Carol Channing shared a bill (1972) or James Brown joined the Blues Brothers (1997).

Similarly, how about Jason Sudeikis and Brendan Hunt as Ted Lasso and Coach Beard hitting the field to bring out Justin Bieber? It’s hard to imagine a modern Super Bowl halftime taking a breather for a chill comedic interlude — one that worked because it didn’t try too hard. (Yes, Kendrick Lamar did have Samuel L. Jackson as Uncle Sam in 2025, but Sam and Sudeikis give very different energy, to say the least.)

As for Bieber, if the NFL got one of the world’s biggest pop stars, it’s difficult to imagine them letting him do a somber acoustic performance of “Everything Hallelujah” while casually strolling around the field, then walk off without singing a hint of any of his Billboard chart smashes. JB’s quiet moment helped give the World Cup halftime a flavor of its own too.

As with the Dudamel-and-Muppets opener, the finale felt more 20th century Super Bowl than 21st century Super Bowl. Staten Island’s PS22 Chorus, Emmanuel Kelly, Coldplay and the Muppets debuted a brand-new Coldplay song, “We Dance,” written specifically for the occasion. It was all about love, peace, bright colors and global togetherness. Puppets and children providing a big, mushy finale is entirely conceivable for a halftime show from the ‘80s – less so these days. And that’s refreshing.

I’m not saying the NFL needs to turn back the clock to the low-stakes, schlocky halftime shows of 50 years ago. Most of us would rather watch Bad Bunny than “Elvis Presto,” the magic trick-pulling Elvis impersonator who performed at the 1989 Super Bowl. But it’s fun to watch a halftime show and have no clue what could possibly happen next. Muppets and the New York Philharmonic rocking out? There’s something inviting about a spectacle that isn’t afraid to get silly.

So, the TL;DR final verdict: The FIFA World Cup Halftime Show felt markedly different from modern Super Bowl Halftime Shows – but a lot like an amalgamation of Super Bowls over the decades. And if there’s one lesson for the Super Bowl after watching this, it’s simple: more Muppets.

What was the last song performed during the 2026 FIFA World Cup Halftime Show? It was the live premiere of “We Dance,” an original song penned by Coldplay for the mid-game, 11-minute live music medley during the Spain vs. Argentina match that also featured performances from Madonna, BTS, Justin Bieber, Shakira with Burna Boy and more.

The World Cup field at New York New Jersey Stadium (otherwise known as MetLife Stadium) in East Rutherford, N.J., was abuzz with energy by the final number of Sunday’s (July 19) halftime show, and filled with quite a sweeping ensemble of performers.

Coldplay’s Chris Martin, curator of the first-ever World Cup halftime event, led his band’s new tune “We Dance” surrounded by children — the PS22 Chorus — and with special appearances from The Muppets (who’d also popped in earlier, during a symphony performance of “Seven Nation Army”) and Emmanuel Kelly. Shakira, who’d just sang the official World Cup song “Dai Dai” with Burna Boy, also joined in on the fun, as did her fellow halftime show headliners.

Large screen displays encouraged the audience to visit believeinlove.org, a new initiative launched by Global Citizen today to inspire people all over the world to participate in small acts of love to help “defeat poverty and defend the planet.”

Officially titled the FIFA World Cup 2026 Topps Final Halftime Show, the game’s halftime entertainment featured more than 350 performers all together. The music event was created as part of a partnership between FIFA and Global Citizen, produced by Global Citizen with Live Nation and Done + Dusted, and aimed to improve access to football and education for children through the FIFA Global Citizen Education Fund. The fund has to date surpassed $60 million raised for children’s education worldwide.

Watch the full 2026 FIFA World Cup Final Halftime show, uploaded to YouTube by FOX after the network broadcast the performances, below.

BTS brought their explosive energy to the 2026 FIFA World Cup final halftime show on Sunday (July 19) for a dynamic performance of their 2020 smash hit “Dynamite.”

As the second halftime headliners at New York New Jersey Stadium (the rebranded MetLife Stadium in East Rutherford, New Jersey), BTS hit the pitch wearing coordinated red, white and black outfits. It wasn’t announced ahead of time what the South Korean septet would perform, and they went with their very first Billboard Hot 100 chart-topper “Dynamite,” which spent three weeks at No. 1 in 2020; it made sense to go with their first U.S. No. 1 as they performed on a global stage in the American stadium.

BTS hit the field after Madonna and were followed by Justin Bieber and then finally Shakira (featuring Burna Boy) for their Global 200-topping 2026 World Cup anthem “Dai Dai.” All four headliners returned to the field for “We Dance,” an original song written by Coldplay for the show and performed by the Chris Martin-led band with New York’s PS22 Chorus and the Muppets.

Produced by Global Citizen and curated by Martin, the halftime show also included conductor Gustavo Dudamel, the New York Philharmonic and the Simón Bolívar Symphony Orchestra of Venezuela, Bijan Mortazavi and Emmanuel Kelly, as well as surprise appearances by soccer superstars Ronaldo and Ronaldinho and Jason Sudeikis and Brendan Hunt as Ted Lasso and Coach Beard.

“We set out with a bold ambition: to bring together the world’s greatest artists for what would be the most-watched halftime show in history,” said Hugh Evans, co-founder and CEO of Global Citizen. “I hope audiences around the world were massively entertained and inspired, and I hope they felt the message of unity and love at its core. Above all else, I hope millions of kids around the world receive access to education for years to come. I look forward to meeting a young person years from now whose life was transformed because the world came together to invest in the FIFA Global Citizen Education Fund.”

As of Sunday, the FIFA Global Citizen Education Fund has surpassed $60 million raised for children’s education worldwide.

BTS are currently on their ARIRANG World Tour, which resumes next month at the very stadium they played Sunday night, Aug. 1 and 2 at MetLife Stadium.

James “Jim” Gilstrap, the sonorous tenor heard on classics such as Stevie Wonder’s “You Are the Sunshine of My Life” and as the co-lead on the television series theme song Good Times, has died. Gilstrap passed away of natural causes in Los Angeles on July 18. He was 79 years old.

In a career that spanned more than five decades, Gilstrap crafted a sterling reputation as one of the music industry’s most versatile and in-demand session vocalists. He also charted a pair of R&B hits as a solo artist in 1975: “Swing Your Daddy” (No. 10 in the U.S.; No. 4 in the U.K.) and “I’m on Fire” (No. 20) — both featured on his Chelsea Records debut studio album, Swing Your Daddy. A year later, Gilstrap released a second studio album, Love Talk.

“To the world, Jim Gilstrap was a legendary voice. To us, he was simply Uncle James — a beloved husband, uncle, mentor and friend,” begins a statement emailed to Billboard by Gilstrap’s nephew and the family’s spokesperson, Geoffrey “Geoff Gil” Gilstrap.

The statement continues in part, “No matter how far his incredible talent took him, he never forgot his roots, his family or the values that shaped him. As kids, all of us nieces and nephews proudly bragged to classmates that our Uncle Jim was the voice behind the ‘temporary layoffs’ line from Good Times. Then we’d remind them that he also sang on ‘You Are the Sunshine of My Life.’”

Born Nov. 10, 1946 in Texas, Gilstrap — following a stint in the military and work with other early music groups — became a featured vocalist with Stevie Wonder’s backing band and vocal group Wonderlove in the early ‘70s. It’s Gilstrap singing the opening lines on the Grammy Award-winning “You Are the Sunshine of My Life” from the Talking Book album. Gilstrap also worked on other seminal Wonder albums during this fertile chapter that legend’s career including Innervisions and Fulfillingness’ First Finale.

In addition to his aforementioned solo foray and contribution to the Good Times theme song in 1974, Gilstrap lent his virtuoso tenor to host of projects by a diverse array of stars. Among them: Quincy Jones, Michael Jackson, Aretha Franklin, Whitney Houston, Bill Withers, Luther Vandross, Kenny Loggins, Dolly Parton, Stanley Clarke and Boz Scaggs.

“Beyond the music, we’ll remember Jim’s kindness, humility, humor, generosity and, of course, his homemade sweet potato pies that brought our family together. As we celebrate Uncle Jim’s remarkable life, we can’t help but thank God for those ‘Good Times’ … and how lucky we were to have him,” says Gilstrap’s nephew Geoff Gil.

The last surviving member of 10 siblings, Gilstrap is survived by his wife Gloria as well as children and grandchildren. Memorial arrangements are pending.

Poppy’s Upheaval Festival appearance did not go ahead as planned Friday night (July 17), after wildfire smoke created hazardous air quality conditions at the Grand Rapids, Mich., event.

The singer was scheduled to perform ahead of Gojira at the rock and metal festival, but her band ultimately played without her, delivering an instrumental set while wearing respirator masks beneath their usual stage masks.

Poppy later addressed her absence on Instagram Stories, explaining that conditions around the time of her performance had become unsafe.

“Due to ‘hazardous’ AQI reaching 350+ around our set time I was unable to join my band on stage,” she wrote. “I was unable to breathe in those conditions.”

“You might’ve noticed our set was instrumental only,” she continued. “For those who braved the conditions — I applaud you.”

Under the U.S. Air Quality Index, readings above 300 are classified as hazardous, the most severe category on the scale. AirNow, the EPA’s air quality resource, describes that range as a “health warning of emergency conditions,” with everyone more likely to be affected.

Upheaval organizers had told attendees before doors opened that the festival would proceed while officials continued monitoring the air quality situation.

“Your safety is our number one concern,” the festival said in a pre-event weather update, encouraging fans to pace themselves and look out for one another. Organizers also said at the time that available information suggested air quality would improve throughout the day.

Michigan was under a statewide air quality alert on Friday and Saturday due to elevated levels of fine particulate matter from wildfire smoke. The West Michigan Clean Air Coalition forecast hazardous conditions in parts of the state and very unhealthy conditions across the Lower Peninsula on Friday.

The Upheaval interruption marks the second time this festival season that severe conditions have disrupted one of Poppy’s sets. In May, her performance at Welcome to Rockville in Daytona Beach, Fla., was cut short less than a minute in after severe weather and lightning protocols were activated.

Poppy’s latest live interruption comes amid a strong run on Billboard’s rock charts. “End of You,” her collaboration with Evanescence’s Amy Lee and Spiritbox’s Courtney LaPlante, debuted at No. 1 on Billboard’s Hot Hard Rock Songs chart dated Sept. 20, 2025.

The track later made history on the Mainstream Rock Airplay chart, where Poppy, Lee and LaPlante became the first three women or women-led acts to top the ranking together.

Poppy released her seventh studio album, Empty Hands, in January via Sumerian Records. The album followed 2024’s Negative Spaces and continued her recent run through heavy, industrial and alternative sounds, with production from Jordan Fish and Stephen Harrison.

Jennifer Finch, the bassist, vocalist and songwriter whose ferocious presence helped power L7 through the ’90s alternative-rock boom, has died. She was 59.

Finch died following an aggressive form of brain cancer, according to a statement announcing her death.

L7 paid tribute to Finch in a statement, writing, “We are shattered by the loss of our beloved bandmate, sister and friend Jennifer Finch, whose fierce spirit, humor and boundless creativity helped shape L7 and changed all of our lives forever.”

“Jennifer was a true original who lived entirely on her own terms, and the impact she made on music, art and everyone lucky enough to know her cannot be measured,” the band continued. “We love her beyond words and will carry her with us always. Rest in power our dear friend.”

The statement was signed, “With Love, L7.”

Finch’s death comes shortly after L7 shared that she had been diagnosed with an aggressive form of brain cancer and would be unable to join the band’s upcoming farewell tour. The band said at the time that she required extensive medical care, rehabilitation and professional in-home support following multiple surgeries and serious complications.

Finch was a core member of L7’s classic lineup, anchoring the band’s guitar-heavy attack with a bass style that was blunt, melodic and built for maximum impact.

Alongside Donita Sparks, Suzi Gardner and Dee Plakas, she helped define L7’s place at the intersection of punk, metal, grunge and alternative rock, where the band’s distortion-heavy songs carried sharp humor and political bite.

Formed in Los Angeles in 1985, L7 broke through during the alternative boom of the early ’90s, becoming known for songs including “Pretend We’re Dead,” “Shove,” “Andres” and “Fuel My Fire.” Their 1992 album, Bricks Are Heavy, produced by Butch Vig, became a cornerstone release for the band, pairing sludgy riffs and shout-along hooks with a restless, anti-gloss spirit.

Finch’s work with L7 was part of a broader creative life that extended beyond the stage. She was also a photographer, writer and visual artist, building a multidisciplinary practice that reflected the same raw, self-directed spirit she brought to music.

The statement announcing her death also acknowledged “the extraordinary outpouring of love and support” shown to Finch and those caring for her, adding that it had “meant more than words can express.”

Noah Kahan’s concert at Citi Field in Queens, New York, was canceled shortly before doors Saturday night (July 18). The final call was made after the stadium’s team spent the afternoon monitoring weather patterns in the New York City area, and after issuing an initial plan earlier in the evening to proceed with the show with no opening act and an adjusted set time for Kahan.

“The show tonight at Citi Field has been canceled due to inclement weather. This was a very difficult decision to make, but the first priority is always to keep everyone safe,” the venue’s latest update said on Saturday. Rain showers and thunderstorms, with the possibility of damaging wind gusts and flash flooding, were expected into the night.

“Exhausted every option to make this happen.. love you guys,” Kahan wrote in an Instagram Story, where he shared the news.

No makeup date was announced for Kahan’s July 18 concert, which was meant to be night one of a two-night stand at Citi Field. The Great Divide singer-songwriter remains on the venue’s schedule for Sunday (July 19).

Citi Field provided details on ticket refunds for the scrapped July 18 gig: “For ticket holders: Refunds are available from point of purchase. If you purchased from Ticketmaster, you will be automatically refunded. Thank you for understanding.”

The duo’s Journey of a Lifetime Tour continues in Cleveland, Ohio, on July 24.

Martin Garrix gave fans a surprise during his Tomorrowland set.

The Dutch DJ debuted his new collaboration with U2, “Fireflies,” during his headlining performance Friday (July 17) at the festival in Boom, Belgium.

For the debut, U2 guitarist The Edge joined Garrix onstage to perform the previously unheard track, while Bono‘s vocals played as part of the song.

Garrix closed out Tomorrowland’s opening day with the main stage headline set at De Schorre.

For the final song of the night, The Edge added his signature guitar work to “Fireflies,” marking the song’s live debut before its official release.

“Fireflies with @u2 out soon.. premiered at @tomorrowland,” Garrix wrote on Instagram alongside a clip of the performance.

The upcoming single is now available to pre-save on Spotify and Apple Music.

Garrix and U2 are no strangers to collaborating. They previously joined forces on “We Are the People,” the official song of the UEFA Euro 2020 tournament, which reached No. 12 on Billboard‘s Hot Dance/Electronic Songs chart in May 2021.

Garrix also produced U2’s “Your Song Saved My Life” for the Sing 2 soundtrack, while Bono co-wrote several Garrix songs, including “Angels for Each Other,” “Catherina” and “Weightless.”

It was unclear at press time whether “Fireflies” will appear on an upcoming studio albums from Garrix or U2.

U2 recently released “Street of Dreams,” the soaring lead single from the band’s as-yet-untitled next studio album, its first since 2017’s Songs of Experience. Due later this year, the album features “Street of Dreams,” produced by frequent collaborator Jacknife Lee.

It arrives after U2 released the surprise six-song Easter Lily EP in April, just two months after the band’s Days of Ash EP was released in February.

Check out Garrix’s Instagram post below.