Bonnie Tyler, the voice behind the Billboard Hot 100-topping 1983 smash “Total Eclipse of The Heart,” has died. She was 75.

A statement posted by representatives on the Welsh rock and pop singer’s Facebook page on Thursday morning (July 9) said that Tyler “unexpectedly passed away last night in hospital in Portugal as a result of the illness that she was being treated for”. 

Her death follows emergency intestinal surgery in May, which took place in Faro, where Tyler had a home. She was later placed in an induced coma.

Born Gaynor Hopkins in Neath, Wales, Tyler rose to international prominence in the late 1970s with ballad “It’s a Heartache,” before reaching global superstardom in 1983 with “Total Eclipse of The Heart.” Written and produced by Jim Steinman, the dramatic mini-epic spent four weeks at No. 1 on the Hot 100, making Tyler the first and only Welsh-born singer to top the chart to date.

The song, which featured on her album Faster Than the Speed of Night, earned Tyler Grammy nominations for female pop vocal performance and female rock performance, and became one of the defining records of its era. She then followed with another enduring classic, the urgent “Holding Out for a Hero,” from the film soundtrack to Footloose. Tyler’s distinct, raspy vocal style, developed after early vocal cord surgery, became her signature. 

Across a career spanning more than five decades, Tyler released 18 studio albums. She represented the U.K. in the 2013 Eurovision Song Contest with the song “Believe in Me,” finishing in 19th place. She was also made an MBE in 2023 for her services to music, after being named in the Queen’s Birthday Honours list.

Tyler had been due to perform at the Sunshine Festival in Worcester, England this summer, along with a number of European dates, and was also booked to perform at Cardiff’s Utilita Arena on December 17. Her final full show took place at the O2 Shepherd’s Bush Empire in London on March 19.

As we hit what would have been Bon Scott’s 80th birthday on Thursday, July 9, one has to wonder what the shirtless, gleefully irreverent singer of AC/DC’s “Highway to Hell,” “Rock ‘n’ Roll Damnation” and “Dirty Deeds, Done Dirt Cheap” might be like at that age.

“Is there such a thing as a wild 80-year-old?” his rarely interviewed younger brother Derek Scott asks Billboard via Zoom from Perth, Australia. “I don’t think he would have changed.”

Forty-six years after his death on Feb. 19, 1980, from acute alcohol poisoning in London at the age of 33, Scott’s legacy and influence loom large. Born in Scotland and raised in Western Australia, Scott performed in other bands — most notably the Valentines and Fraternity before joining AC/DC as its second singer, replacing Dave Evans during the fall of 1974. He recorded six studio albums with the group, with his last, 1979’s Highway to Hell, an international breakthrough and AC/DC’s first top 20 Billboard 200 release in the United States.

Even now, on its Power Up world tour — returning to North America on July 11 in Charlotte, N.C. — more than half of the current AC/DC’s set hails from Scott’s era with the band.

“When Bon was asked, ‘Are you AC or DC?’ his answer was, ‘I’m the lightning bolt in the middle,” AC/DC co-founder and guitarist Angus Young says in a special birthday message provided to the Bon Scott Estate. “In my mind he was, and always will be the lightning bolt in the middle. He gifted us with great rock ‘n’ roll lyrics delivered in an impish manner, and was determined to show us all, it is a ‘long way to the top if you wanna rock ‘n’ roll’.”

Judas Priest’s Rob Halford says in his own birthday message that, “Bon had a rare gift — he made people feel alive. His voice carried mischief, grit, humor and honesty…And that authenticity continues to resonate across generations.”

Derek Scott, 77, adds that his brother — who cared for him when he was younger because both of their parents worked — “was totally different to anybody else, even in the band. Those guys (in AC/DC) will say he was always a little bit different. It was his attitude; he knew where he wanted to go, and he did it. I don’t know how he got there. It was a lot of work…Overnight success always takes a lot of years. It was good to see him get the results he finally wanted.”

High Voltage

Scott’s birthday has become an annual rite of celebration during recent years, and this year’s 80th has an even greater sense of occasion.

The Estate, in partnership with Australia’s Sonic Rights Management and New York-based Jacksonic Sound and Vision, is bulking up the Bon Scott YouTube channel with more footage — including Fraternity performances from the Australian Broadcasting Corporation (ABC) program GTK and new birthday wishes from Young, Halford, Def Leppard’s Joe Elliott, Pearl Jam’s Mike McCready, Anthrax’s Scott Ian and others.

Meanwhile, the third annual Bon Scott Birthday Bash concert is taking place July 9 at the Cutting Room in New York City, with guest vocalists including Living Colour’s Corey Glover, American Idol finalist Constantine Maroulis, Trixter’s Steve Brown, Peter Shaw of Trans-Siberian Orchestra and others. On the same day the elite German microphone manufacturer Neumann will release a Bon Scott Edition of the mic Scott used while recording at Albert Studios in Sydney, marking the first time the company has branded one of its products.

Scotland’s annual Bonfest took place during early May in Scott’s early home of Kirriemuir and has already announced its 2027 return next April 30-May 2. And on July 16 the Rock And Roll Hall of Fame and Museum will honor Scott during an AC/DC Fan Day that includes artifact displays, film screenings and archival footage, educational presentations and a trivia contest.

“The amount of interest that remains with Bon after all this time, it’s staggering,” says Jacksonic founder John Jackson, who previously worked with AC/DC’s catalog during his tenure with Sony’s Legacy Recordings. “You reach out to any of these companies and they just immediately want to get on board with doing something with his name and likeness.”

Problem Child

The Scott estate wasn’t always quite so dialed-in, however.

He died without a will, and while appropriate financial arrangements were made after his death, other matters were left unattended according to Sonic Rights’ Damian Rinaldi, who co-manages the estate with Jackson and the Scott family. “He was such an icon, and yet there was no business structure around his rights, which was amazing to me,” Rinaldi explains. “The estate was not in order up until 2020. That’s when I started talking to the family and said I really do feel like they need someone who understands the industry and can help navigate it.” The Scotts were ultimately motivated by “bad actors,” including one company that was posing as the official Scott estate and releasing recordings it claimed featured Scott singing on them.

“The family could either get upset about the fact people they didn’t know were ripping off the estate, or they could actually do something about it and help the fans at the same time,” says Rinaldi, who worked with AC/DC during the ‘70s at the Australian music company J. Albert & Son (now Alberts). “We were starting from scratch — what it is you’re trying to identify, the rights and where they sit, who owns the pre-AC/DC copyrights. It’s come a long way.”

Derek Scott notes that, “I think as a family we didn’t want to exploit (Bon) in any way. We didn’t want to be the ones hanging off his coattails all the time…plus, we never had the knowledge of how to go about it for 40-odd years. We didn’t have a clue.” A catalyst, he adds, came when his son Daniel moved back to Perth after living in London and Brazil. (A younger brother, Graham, resides in Asia but has just tacit involvement with the estate.) “My two older sons weren’t as interested in getting involved, but (Daniel) had a big interest in it, and it was good,” Derek says. “If he hadn’t come back the way he did, it wouldn’t have happened.”

One of the estate’s earliest endeavors was the first authorized documentary, On the Brink, that aired during 2022 as part of ABC’s Australian Stories series. The estate has also partnered with a variety of manufacturers, including Knucklebonz, Funko Pop and Super 7 for figures and statues, and Copa and Dixxon for apparel. Australian artist Reg Mombassa, meanwhile, has created a special Scott image for a variety of products, and it’s also the source for a mural painted by artist Era at the beginning of AC/DC Lane in Melbourne. Separately, the Perth Mint has pressed commemorative gold and silver bars featuring the Bon Scott logo and bespoke packaging.

“People think we’re motivated by money and things like that. Nothing can be further from the truth,” says Daniel Scott, who serves as one of the estate’s officers. “Obviously the relationships evolved over time with Damian, who could drag us kicking and screaming into modern times, and then John with the creative side of things. I guess you’d say that after a long period of nothing from the estate, everything is aligned, which is great.”

Hell Ain’t A Bad Place To Be

All of the parties acknowledge a warm and supportive relationship with the AC/DC camp. “Everything we do gets run by Angus and the AC/DC brain trust. That’s a very important relationship,” Jackson says. Daniel Scott adds that, “Angus and Malcolm (Young), when he was alive, have always been extremely welcoming and fantastic over the years, and we have a communication and let them know what they’re up to.” The estate principals add that deference is why we’re unlikely to see a Bon Scott biopic come before a similar project from AC/DC.

“AC/DC very much take the view that they’re still ongoing, and biopics are probably for those who are looking back after they finished,” Rinaldi notes, to which Daniel Scott adds, “If AC/DC’s plans aren’t to do sorting such as that, neither are ours. We’re quite happy with how we’re going at the moment.”

The warm feelings extend to Brian Johnson, who replaced Bon Scott in 1980. “Brian’s fantastic,” Derek Scott says. “He’s jovial and fits in. It was very fortunate to have him come on board. He’s done a fantastic job. We’ve always got a lot of time for him.”

Rinaldi, meanwhile, observes that, “The story of Bon wouldn’t be the same if it wasn’t for Brian. Bon took the band up to the point of being huge and we lost him, and then Brian was able to take the baton and take it further. If it wasn’t for Brian we might not still be remembering Bon in the way we do today — and if it wasn’t for Bon, Brian wouldn’t have had the opportunity to do what he did. There’s massive mutual respect, which is something we foster. We love people loving Bon, but we love Brian as well.”

As the 80th birthday celebration gets underway, Derek Scott says he still has “mixed” emotions of pride in his brother’s accomplishments and sadness that he’s not around. Ultimately, he says, “it’s still great. It’s always good to hear his music and the old songs. Of course they bring back memories, but things move on. He wasn’t good at sports or school. He put his whole heart into the music and…here we are with it, still listening today.”

Brian Potter, a Grammy-nominated producer and songwriter best known for co-producing Glen Campbell’s 1975 Rhinestone Cowboy album, died June 30 in Granada Hills, Calif., following years living with vascular dementia and Alzheimer’s, according to his daughter. He was 87.

Potter, who was born in Essex, England, played in bands as a teen and even toured across the U.K. and Europe briefly as the drummer for Chuck Berry, scored his first hit in 1965 as a songwriter on the Small Faces’ debut single “Whatcha Gonna Do About It,” written with Ian Samwell. The song reached No. 14 on the U.K. Official Singles Chart.

Shortly thereafter, Potter met Dennis Lambert, a singer/songwriter in the U.S. Army stationed in Europe, and the pair became songwriting partners, leading to Potter moving to the U.S.

Together, the pair landed numerous hits starting with 1969’s anti-war song “One Tin Soldier,” which was first recorded by The Original Caste. A 1971 version by Coven became the theme to the movie Billy Jack, and Skeeter Davis’ rendition received a Grammy nomination for best female country vocal performance.

Several hits penned by Potter and Lambert followed, including writing and producing a number of albums for the Four Tops following the R&B group’s departure from Motown, that included such hits as “Keeper of the Castle” and “Ain’t No Woman (Like the One I Got),” from the Lambert/Potter-produced album 1972’s Keeper of the Castle (with collaborator Steve Barri).

The pair landed their own imprint, Haven Records, at Capitol Records, and in the mid-’70s began working with Campbell on the 1975 Rhinestone Cowboy concept album about an aging country musician. The title track, written by Larry Weiss, earned Potter and his collaborators a Grammy nomination for producer of the year, and won him an Academy of Country Music Award as well as American Music Award.

Other 1970s’ Billboard Hot 100 hits penned by the duo included Hamilton, Joe Frank & Reynold’s “Don’t Pull Your Love” (No. 4), the Grass Roots’ Two Divided By Love” (No. 16), The Righteous Brothers’ “Dream On” (No. 32) and Tavares’ “It Only Takes a Minute” (No. 10). As producers, they also continued to score hits, including Player’s No. 1 tune, “Baby Come Back.”   

After writing Score, a musical about Harlem Globetrotters founder Abe Saperstein, Lambert and Potter amicably split and Potter, with composer Wayne Green, wrote two musicals through SGI-USA, the Buddhist organization both men belonged to: This is America: A Musical Revue (1988) and This is America: The New World (1989), both of which toured more than 10 cities across the country.

Then, through Landmark Entertainment Group, the pair wrote more than 20 songs for Japanese theme park Puroland, while also writing and producing two children’s music albums for Here We Go, Kids. Continuing working with theme parks, Potter consulted with Universal Studios Hollywood in the early ‘90s on projects including Beetlejuice’s Rockin’ Graveyard Revue and The Blues Brothers Show.

In 2025, Lambert and Potter were nominated for induction into the Songwriters Hall of Fame in the non-performing songwriters category.

Survivors include Potter’s wife of 55 years, Karen; daughter Courtney and stepdaughter Mary Shirley; two brothers; and a number of other relatives. Donations in his memory can be made to the Alzheimer’s Association or the Motion Picture & Television Fund. A celebration of life will be held in the fall.

Leigh-Anne Pinnock is about to enter her era as a mother of three.

The Little Mix member and solo artist made the announcement about this new chapter with her husband, professional soccer player Andre Gray. On her social media, Pinnock shared the heartfelt news with an emotional video. 

In the clip, the singer appears in a recording studio, reading the lyrics from her phone as she records and sings into the mic. Shots from different angles of her body appear before she’s seen walking toward the mic, then turning around to reveal her baby bump. Meanwhile, her new song “Heaven” plays in the background. “As one chapter ends, another begins,” the artist captioned the post, adding a heart and a pregnant woman emoji.

Pinnock and Gray, who were married in a beachfront ceremony in Jamaica in 2023, have two other children, twin daughters born in 2021.

Fellow members of Little Mix expressed their happiness on the post with Perrie Edwards commenting with heart-eyes emojis and Jade Thirlwall sharing a message celebrating the news of Pinnock’s growing family. 

The news arrives at a major moment for Pinnock’s music career. She released her debut solo album My Ego Told Me To in February, and she announced a U.K. and European tour to promote the project.  

Little Mix, which was formed in 2011 on The X Factor in the U.K., earned various Billboard chart entries, including three of the girl group’s albums, DNA, Salute and Glory Days, reaching the Billboard 200. In 2021, their single “Confetti” became their final song before they announced a hiatus.

King Gizzard & The Lizard Wizard announced Wednesday (July 8) that their next album is coming soon, and that it will be a hard electronic project. Called Alien Metal, the project is set for release later this summer on the band’s own p(doom) Records and will be the Australian act’s 28th studio LP.

The news comes in tandem with Alien Metal‘s lead single, the spacey, acid-y, jungle-influenced “Level 5.” The video for the song was helmed by Australian director Hayden Somerville and features a cameo by Australian actor Vince Colosimo. Watch the “Level 5” video and see the album’s track list and cover art exclusively below.

Alien Metal follows the July 7 announcement that the band will play a “rave show” Under the K Bridge in Brooklyn on August 23. This set, which follows previous rave shows played by the band last year, will follow its three-night run at New York’s Forest Hills Stadium from August 20-22, with the August 22 show being a rave set and the other two nights being rock shows. The band is also bringing the second edition of its Field of Vision festival back to Meadow Creek in Buena Vista, Colo. on August 14-16. The festival is sold out.

Alien Metal has been in the works for years, with the band discarding many previous iterations of the project. “We’ve never scrapped so much material as we have for this album,” the band’s Stu Mackenzie says in a press release. “Entire albums, entire universes that were formulated, created, recorded, deleted and started again.” The press release continues that the project was finally unlocked during a late night jam session that went on for more than an hour,” “with every track on Alien Metal evolving from the same source performance.”

While the band’s 2023 album The Silver Cord explored electronic subgenres including ambient and acid house, Alien Metal goes to darker and more pummeling areas of the genre via techno, hardcore, ravey house and jungle. “Alien Metal goes really hard, but it also goes to really interesting places,” adds the band’s Joey Walker. “And it feels unique – it feels like us, still.”

Alien Metal track list:

Adam Sandler and his wife Jackie celebrated their 23rd wedding anniversary in June, so the Happy Gilmore 2 star seems to know a thing or two about marriage. That’s why he was the perfect choice to officiate Taylor Swift and Travis Kelce’s Madison Square Garden wedding last weekend, according to an unnamed source who spoke to People about the comedian’s pivotal role in the American royals’ star-studded nuptials.

The source told the magazine that Sandler, 59, said “yes right away” to the ask, adding that he was “incredibly honored to be part of such a special day.”

Andy Reid, Kelce’s coach on the Kansas City Chiefs, previously said that Sandler gave the happy couple some “really touching” advice and did a “phenomenal job” as officiant. “He said, ‘Kiss every chance you have, every day,’” Reid recalled. “‘Whether you’re going to bed or going to work or, you know, wherever, go ahead and kiss her.’ And I thought that was, in a simple way, in its simplest form, it really was touching.”

While a rep for Swift confirmed that Sandler led the ceremony at MSG on July 3, to date no other details about what he said to the couple, or what they said to each other, have emerged.

Sandler and his wife celebrated their 23rd anniversary on June 22 — with the actor going all-out with a “Love You Forever” skywriting message for the occasion —  which the source told People made him the “perfect person” to officiate the wedding. “He wasn’t trying to find the perfect words or make it this big production,” the source said. “He just wanted to speak from the heart and pass along a little wisdom that he’s gained from his own happy marriage.”

While Sandler might seem like an odd choice at first, he did share some screen time with Kelce on the set of Happy Gilmore 2, the cameo-filled sequel that featured a hilarious pop-in from the NFL tight end. They appeared to bond on set, with Kelce telling ESPN’s The Pat McAfee Show in January of last year that Sandler is “every bit as cool off the screen as he is on the screen.” People noted that the admiration was mutual, as Sandler told Entertainment Tonight in July 2025 that Kelce was such a “gentle, nice guy and funny as hell,” likening him to some of the guys he grew up with.

“When I was with Travis, it reminded me of my buddies in high school and just being able to laugh and say the things you want to say,” Sandler said.

Even before they bonded on set, Sandler made Kelce sweat a bit in August 2024 when he went on the Super Bowl champ’s New Heights podcast and they discussed the baller’s romance with the world’s biggest pop star. Kelce noted at the time that Sandler had brought his daughters to the Eras Tour concert film premiere in October 2023 in Los Angeles, to which the comedian responded, “what a girl!“

Kelce had to agree, saying, “you know it, man. Best performer out here.” Sandler described how Swift’s music “means so much to our house,” saying that when his two daughters, Sadie and Sunny, were younger, they knew every word to every one of Swift’s songs. “I love what she had to say … what she meant to young girls, what she means to women, what she means to guys doing the right thing in life,” said Sandler, adding that Swift once “took her time” interacting with his daughters on the set of Saturday Night Live. “She just floors my family.” 

And though he’s been on stage and screen for nearly four decades, at the time Sandler admitted that he gets nervous around Swift because he doesn’t want to “f–king blow it for my kids and say something stupid” around her. Kelce assuaged his fears by assuring the Sand Man that Swift was “so grateful” for the actor and his family attending her premiere.

When Sandler gushed about the couple’s high-profile romance — which began in late summer 2023 — saying that his family was “high-fiving” anytime they saw Swift laughing with Kelce,” the football legend admitted, “you got me sweating over here.”

Kylie Cantrall is entering a new era with the release of her upcoming EP, Valley Girl Problems.

The Disney star’s latest project is set for release on July 24. Valley Girl Problems is an eight-track EP that marks a new chapter for the Venezuelan-American artist, as she continues to transition from her acting career and her role as Red in the Descendants franchise to becoming a household name in pop music. 

The EP’s lead single “Carrie Bradshaw” was released in April, while other tracks include “Grwm,” the title track, “Closet,” “Girls Like U,” “Yuck!” and two interludes titled “The Problem” and “The Answer.”

“I’ve always heard people say, ‘Write what you know,’ and that’s exactly what I did with this EP,” Cantrall said of the project. “Valley Girl Problems truly captures everything I’ve experienced over the last year and how I’ve embraced this new chapter of my life.”

Valley Girl Problems was produced by Tricky Stewart — known for working with artists such as Rihanna and Tyla — and written alongside Tayla Parx, who co-wrote the song inspired by the iconic Sex and the City character and is a hitmaking co-writer for Ariana Grande, Panic! at the Disco and more.

The release of Valley Girl Problems will follow Cantrall’s return to Descendants: Wicked Wonderland, a sequel to The Rise of Red, debuting July 16 on Disney Channel. The Disney production marks the fifth installment in the Descendants franchise, in which she portrays the daughter of the Queen of Hearts, played by singer Rita Ora.

Earlier this year, the actress and singer signed to Republic Records, in partnership with APG and Heroine Music. Last year, Cantrall released her debut EP, B.O.Y., which included the singles “Boy for a Day,” “Goodie Bag,” “Denim” and “See U Tonight.”

The Valley Girl Problems track list:

Ben Folds is giving fans a look at what might have been.

Folds, bassist Robert Sledge and drummer Darren Jessee are celebrating the 30th anniversary of Ben Folds Five’s self-titled debut album with the release of Ben Folds Five (30th Anniversary), a newly remastered edition set to be released on Sept. 4.

The project pairs the original 1995 record with an unreleased version of the album titled Shelved First Attempt. The recently unearthed project is being previewed with the fan-favorite track “Underground (Shelved First Attempt),” available to fans on Tuesday (June 7).

“Here’s my 59-year-old self’s take on the album we made when I was 28: Overall, it’s good!” Folds writes in the anniversary edition’s liner notes. “It’s NOT the kind of record you’d hear produced these days. It’s pretty rough and tumble, mostly in a good way. And it’s emphatically unique. It’s from an era when you could still identify a band by the instrumentalists, before you’d even hear the vocalist.”

The “Shelved First Attempt” comprises tracks that remained tucked away for more than 30 years before Folds decided to resurface them from his personal archives. The recordings feature earlier versions of tracks such as “Underground,” “Julianne” and “Philosophy,” as well as “Boxing” and “Evaporated,” which appeared on the band’s 1997 album Whatever and Ever Amen. Other tracks within the collection include “Emaline,” “Dick Holster” and “Eddie Walker.”

Released in 1997, Whatever and Ever Amen’s release was the commercial breakthrough for Ben Folds Five, peaking at No. 42 on the Billboard 200 chart. “Brick,” one of the songs from the album, peaked at No. 6 on the Alternative Airplay chart, No. 11 on the Mainstream Top 40 and reached No. 19 on the mainstream Hot 100 Airplay chart.

Ben Folds Five (30th Anniversary) will be released via Capitol/UMe on CD and vinyl, while the remaster of the original album as well as the Shelved First Attempt will both be available to stream and download.

As the project’s reissue becomes available, the group is set to reunite for their first live performances together in more than 13 years next year.

Preview the Ben Folds Five (30th Anniversary) CD tracklist:

DISC 1 – BEN FOLDS FIVE (REMASTERED)

1. Jackson Cannery
2. Philosophy
3. Julianne
4. Where’s Summer B.?
5. Alice Childress
6. Underground
7. Sports & Wine
8. Uncle Walter
9. Best Imitation of Myself
10. Video
11. The Last Polka
12. Boxing

DISC 2 – BEN FOLDS FIVE (SHELVED FIRST ATTEMPT)

1. Underground
2. Julianne
3. Uncle Walter
4. Alice Childress
5. Evaporated
6. Dick Holster
7. Philosophy
8. Boxing
9. Emaline
10. The Last Polka
11. Eddie Walker

One thing about Jim Jones? He’s good for a quote.

The Harlem rapper popped by the No Funny Sh– podcast recently and was asked about the Verzuz challenge he made toward his fellow Diplomat Cam’ron back in May. And while he acknowledged that the challenge was just him trolling a little bit, Jimmy also said that he feels like he has one of the better discographies in New York rap history.

“I got a better catalog than over 90 percent of the rappers out of New York City in history,” he said confidently. “Not to be like…there’s been a lot of rappers in New York, but I got real gold records, more than one of them, like albums and sh– like that. You dig? I got real platinum singles and sh– like that.”

He added: “Some of your favorite rappers don’t have nothing platinum. That doesn’t make me better than anybody and sh– like that, but statistically I got a hell of a catalog. I mean, from every album that I put out, I got a dope a– single, especially in New York. In New York, hands down, I know I got 20 records.”

Jim made headlines this time last year when he defended himself after a podcast clip of a college student saying the Dipset member was more relevant than Nas went viral. However, during an interview with the legendary Angie Martinez, Jones admitted that he didn’t realize how many fans the Queens rapper still has after his comments received massive pushback from the hip-hop community.

You can watch Jim’s full conversation with No Funny Sh– below.

Peppa Pig is in the middle of some major beef — or should we say pork? — after seemingly shading Clairo in a new Pitchfork interview, which has motivated Charli xcx and PinkPantheress to mobilize on the “Bags” singer’s behalf.

The hilarious “drama” started Tuesday (July 7), when the cartoon character participated in the music publication’s “Over/Under” video series. When asked whether she thinks Clairo is over- or underrated, Peppa threw some bombastic side-eye at the camera and said pointedly, “I don’t know her.”

Of course, fans in the comments and online immediately clocked Peppa for the shady response, inciting Charli to join in and show her support for her fellow musician. “Let’s f— her up,” Charli wrote alongside a screenshot of Peppa’s comment in a text to Clairo, who shared the message on X.

PinkPantheress got involved after seeing that Peppa had also spoken about her in the Pitchfork video, declaring the “Stateside” artist “underrated.” “Does she like animals?” Peppa had added. “Maybe she would like me, because I’m pink too. And everyone likes me.”

But while the porcine protagonist’s comments about her were positive, Pink loyally responded on X, “ain’t sh– sweet until you put respect on clairo.”

If you’re wondering to yourself why Peppa Pig would diss Clairo, you may not have seen the singer/songwriter’s own “Over/Under” episode in 2019. At the time, Clairo was asked to rate Peppa, and she said: “Can I tell you something about Peppa Pig? She’s 7’1″ … she’s the tallest pig in the world. I’mma say underrated, just because I don’t know any taller pigs.”

“If she’s 7’1″, how tall is her mom?” Clairo had continued at the time. “How tall are all the other pigs? Who’s keeping track? What are the proportions of this whole show?”

Even though Clairo said she was underrated, it’s possible that Peppa interpreted her comment about her height as a jab and remembered it seven years later when it came time to make her own appearance on the Pitchfork series.

Or maybe Peppa was telling the truth and she actually doesn’t know Clairo — although she is a fan of a lot of other singers. “Pop stars make the best music,” Peppa added in her video. “I like Rihanna, P!nk, Kelly Clarkson, Sabrina Carpenter, Britney Spears, Olivia Rodrigo, Beyoncé, Cher, Dua Lipa — oh, and Shakira! One day, I’ll be the biggest pop star ever.”

Watch Peppa’s full episode of “Over/Under” below.