El trabajo creativo entre Ringo Starr y George Harrison trascendió la etapa de The Beatles. A lo largo de sus carreras solistas, especialmente en la década del 70, el guitarrista coescribió varias canciones que luego formarían parte de álbumes del baterista. El estilo de Harrison es tan marcado que podemos identificar rápidamente sus aportes en […]
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Los asesinos seriales generan tanto terror como fascinación. Al tratarse de psiquis perturbadas y fuera de lo común, han inspirado películas, libros y canciones, como es el caso de John Wayne Gacy, Charles Manson y Ed Gein, entre otros. En este sentido, vale recordar la escalofriante figura de Charles Starkweather, el joven de 19 años […]
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Hace años que Bob Dylan es mencionado como uno de los compositores más influyentes de la historia, pero, a pesar de esos elogios, siempre sostuvo una notable disposición a destacar el talento de otros. Uno de los que más flores recibió de su parte fue Randy Newman, a quien ubicó en un nivel excepcional dentro […]
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Paul McCartney siempre mantuvo una postura clara sobre cómo quiere desarrollar su carrera en vivo. A diferencia de otros artistas consagrados, que optan por residencias estables en una misma ciudad, el ex integrante de The Beatles rechazó de forma explícita la idea de establecerse en Las Vegas, al considerar que ese tipo de shows representan […]
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Si tenés ganas de ver algo corto y rápido, pero igualmente profundo, Netflix tiene varios cortometrajes premiados que te pueden interesar. Conocelos a continuación. Si algo me pasa, los quiero (2020) Dir: Will McCormack, Michael Govier Duración: 12 minutos. Origen: Estados Unidos. Ganador al Mejor corto animado en los premios Oscar. Unos padres devastados y sin […]
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A comienzos de los años 70, Creedence Clearwater Revival era considerada una de las bandas más importantes de Estados Unidos, con una seguidilla de discos exitosos y una identidad musical más que marcada, liderada por John Fogerty. Sin embargo, en el punto más alto de su popularidad, una decisión interna cambió para siempre el rumbo […]
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“You know what season it is,” Ye boasts on Bully track “King.” Yeah, Yeezy season has returned, but it feels different this time around for the mercurial artist born Kanye West.
A typical Kanye album rollout is filled with noise feeding the machine and algorithm, but now that chaos has turned to radio silence. It’s about time the music became the sole focus, as antics have muddied the waters and served as a distraction from his work in the past.
West’s first solo album in more than four years also comes with a brand-new label partnership with Gamma. Ye reunited with an old friend, Larry Jackson, who serves as the independent label’s founder, as they go back to Jackson’s time working as an executive at Apple Music in the mid-2010s.
At this point, no Ye album arrives on the traditional midnight ET release schedule, keeping fans on edge as they repeatedly refresh streaming services. Bully finally hit DSPs early Saturday (March 28), following Thursday night’s (March 26) listening parties across the U.S. (Ye attended L.A.’s).
Bully is more polished and cohesive than his work in recent years. Ye limited the half-baked ideas and unfinished tracks, thankfully threw away the AI-slop vocals and got back to his roots by chopping up soulful samples on the production side.
It’s a versatile crew of collaborators joining West on Bully, including underground rap favorite Nine Vicious, the legendary CeeLo Green, frequent collaborators like Travis Scott, Don Toliver, Vultures running mate Ty Dolla $ign, Peso Pluma and Ye’s music director André Troutman, who helped steer the ship for Bully‘s sonic direction.
Ye is still working his way back from the damaging string of antisemitic remarks and turbulent behavior that persisted over the course of the last few years. He’s met with rabbis and taken out full-page ads in The Wall Street Journal to apologize to the Jewish and Black communities for his actions, as he seeks forgiveness and looks to be entering a new chapter of life.
Pulling on a mix of Yeezy eras with one eye toward the future, Bully‘s arrival is a step in the right direction for Ye. Bully funnels into a pair of comeback concerts at SoFi Stadium set for April 1 and April 3, which will serve as West’s first U.S. stadium shows in nearly five years.
Here are all 18 tracks from Bully ranked.
Ye (Kanye West)’s “Father” and its parent album, Bully, are streaming now.
The music video for “Father” — featuring an appearance by Travis Scott who comes in for his verse on the track, and set in a church minimalist in design but layered with goings-on worth a second look — is a single-camera scene directed by Bianca Censori.
Ye hasn’t said anything about its meaning, or anything about it at all, but his “Father” video plays out like a commentary on religion, reality and the ennui of modern society.
Here, a fellow’s card tricks turning to flames are as unremarkable as the knitting granny in an adjacent pew. A police squad, preceded by a plate-armoured knight arriving down the aisle via horse, arrests a nun from her slumber. Michael Jackson (his lookalike, at least) sits alone, quietly unbothered in the last row. The touchdown of a UFO seems inconsequential, with stars Ye and Scott pulling down masks showing they already play both celebrity and extraterrestrial.
All of the above goes largely unnoticed to churchgoers in “Father.”
All the while Ye’s chorus goes: “Bye-bye to my old self/ Wake up to the new me/ I used to be on Worldstar/ Now I’m making Newsweek/ I used to hang on the 9/ Now I bought two streets/ Cottage Grove to King Drive/ Yeah, this life is a movie.”
Ye’s Bully album hit streaming services early Saturday (March 28) just ahead of two upcoming shows in Los Angeles, where he’ll perform at SoFi Stadium on April 1 and 3.
The 18-song collection, clocking in at a concise 42 minutes, has track titles that feature Don Toliver (“Circles”), Peso Pluma (“Last Breath”), CeeLo Green (“Bully”) and Ye’s music director Andre Troutman (“All the Love,” “White Lines”) in addition to the Travis Scott-assisted “Father.”
Bully is his first album release to follow the antisemitic remarks and erratic online posts that had him in headlines in recent years, for which he’s since taken out a full-page apology ad in The Wall Street Journal to address and to seek forgiveness. “One of the difficult aspects of having bipolar type-1 are the disconnected moments — many of which I still cannot recall — that led to poor judgment and reckless behavior that oftentimes feels like an out-of-body-experience,” Ye wrote in January. “I regret and am deeply mortified by my actions in that state, and am committed to accountability, treatment and meaningful change. It does not excuse what I did, though.”
The first day of the the Tecate Pa’l Norte festival on Friday (March 27) offered a vast and eclectic soundscape headlined by Tyler, The Creator, Deftones, Interpol, Morat, Myke Towers and Los Traileros del Norte, bringing rap, alternative rock and metal, pop, electronic music and regional Mexican music to Parque Fundidora in Monterrey, Mexico. As the cherry on top, K-pop sensation Jackson Wang celebrated his 32nd birthday with a spectacular show that included flames and 40 dancers on stage.
The festival’s start gathered thousands of attendees who enjoyed performances by Molotov, Maldita Vecindad, Siddartha, Camilo Séptimo, Cuco, La Santa Cecilia, The Blaze (DJ set), Balu Brigada and Gran Sur, all of whom delivered the best of their repertoire across the eight stages set up in the iconic park. La Arrolladora Banda El Limón was also one of the surprises of day one.
Among other surprise acts this year was the group Piso 21, who thrilled and moved the audience with hits like “Pa’ Olvidarme de Ella,” “Te Amo” and “Me Llamas.” Young singer-songwriter Paloma Morphy, winner of the Latin Grammy for best new artist in 2025, invited her colleague Emjay to perform their new duet “Qué Ves en Mí?” live for the first time, a song they released this week on digital platforms.
During the marathon day, Majo Aguilar and David Velasco, the vocalist of the band Porter, inaugurated a new Pa’l Norte stage called “Entre Cheves y Compas,” engaging the audience in a live recording session. Jordy Medina opened the Club Social KIA stage with his electronic sounds, followed by RØZ, who invited Nsqk to perform “No Veo Bien.”
The program continues on Saturday (March 28) with the legendary band Guns N’ Roses kicking off their 2026 world tour at Pa’l Norte, along with Grupo Frontera, Turnstile, Los Fabulosos Cadillacs, Cypress Hill, The Warning, El Bogueto, Judeline, Simple Plan, Enjambre, Luck Ra and more.
Now in its 14th edition, the acclaimed festival founded by Apodaca Group — and in recent years associated with the promoter Ocesa — takes place March 27-29.
Read about five of our favorite moments from day one of Tecate Pa’l Norte 2026 below.
Fred again.. has shared his historic b2b set with Daft Punk‘s Thomas Bangalter, with the complete performance now streaming on YouTube. Watch the show below.
The last show of Fred’s already incredible USB002 tour, the Feb. 27 set at London’s Alexandra Palace marked Bangalter’s second public performance in 20 years, with the first one happening just months earlier when he performed side-by-side with Fred, Busy P and Erol Alkan at Because Music’s 20th anniversary celebration at Centre Pompidou in Paris.
Ending with a purely blissful play of Daft Punk’s 2000 all-timer “One More Time,” the two-hour All Pally show had everyone deep in their feels, and Fred especially.
Not only did the producer call the set “the greatest show of my life” near the end of the performance, but on Saturday (March 28) he commented about the show on Instagram, stating: “So I had a dream last week, and basically all it was, is I was 80, sat in a like a care home, and I kept saying to the nurses ‘just play it again pls.’ And I was just sat there watching the usb show with Thomas over and over again. And then I sat there being like ‘look that’s me! I’m there!’
“I usually have a rule that I don’t watch anything back,” the post continues. “I just do the thing, and then try to stay present and just sorta keep working on writing music, like I’ve still never watched our Glastonbury set. Or most things tbh, but yeah with this, I justtttt. Can’t. Stop. Probably because a lot of it isn’t my music, so it’s not subject to my usual very critical inner voice about stuff. Instead I’m just a fan more proud of a sort of human moment than anything else.
“Now I know in a way it sounds kinda morbid in some ways Buttt lemme tell you, one thing was very clear when I woke up. It was not a nightmare, it was definitely a dream.”





