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BTSARIRANG rules the Billboard 200 albums chart (dated April 11) for a second week, earning 187,000 equivalent album units in the United States in the week ending April 2, according to Luminate. That’s down 71% compared the album’s opening week of 641,000, the biggest week of 2026 thus far. With a second week at No. 1, ARIRANG now has the most weeks atop the chart among BTS’ seven leaders — the other six each spent one week at No. 1.

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Also in the top 10 of the latest Billboard 200 chart, the latest albums from Ye (formerly Kanye West), Melanie Martinez and Yeat debut.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 2,500 ad-supported or 1,000 paid/subscription on-demand official audio and video streams generated by songs from an album. The new April 11, 2026-dated chart will be posted in full on Billboard‘s website on April 7. For all chart news, follow @billboard and @billboardcharts on both X and Instagram.

Of ARIRANG’s 187,000 equivalent album units earned in the latest tracking week, album sales comprise 114,000 (down 79%; it’s No. 1 on Top Album Sales for a second week), SEA units comprise 65,000 (down 31%, equaling 68.49 million on-demand official streams of the set’s songs; it falls 1-3 on Top Streaming Albums) and TEA units comprise 8,000 (down 49%).

Ye scores his 14th top 10 album on the Billboard 200 — all of which have reached the top two — as BULLY debuts at No. 2 with 152,000 equivalent album units earned in the tracking week ending Thursday, April 2. Of that sum, SEA units comprise 96,000 (equaling 98.43 million on-demand official streams of the set’s songs; it debuts at No. 1 on Top Streaming Albums), album sales comprise 56,000 (it debuts at No. 3 on Top Album Sales) and TEA units comprise the remainder.

The album arrived at physical retail on March 27 (on CD, vinyl and cassette), and at digital retail and streaming services on March 28. Also on March 28, Ye dropped the music video for the album’s “FATHER,” featuring Travis Scott and directed by Bianca Censori.

During BULLY’s release week, Ye staged his first major U.S. concert in nearly five years, playing SoFi Stadium in Inglewood, Calif., on April 1. A second SoFi show took place on Friday (April 3), one day after BULLY’s first chart tracking week closed.

First-week sales of BULLY were aided by its availability across multiple color vinyl variants, deluxe boxed sets containing branded merch and a copy of the CD, as well as signed vinyl and CD editions.

Melanie Martinez notches her fourth top 10-charting set on the Billboard 200 as HADES bows at No. 3 with 84,000 equivalent album units earned. Of that sum, album sales comprise 63,000 (it debuts at No. 2 on Top Album Sales), SEA units comprise 21,000 (equaling 22.85 million on-demand official streams of the set’s songs; it debuts at No. 28 on Top Streaming Albums) and TEA units comprise a negligible sum.

Martinez previously hit the top 10 on the Billboard 200 with PORTALS (No. 2 in 2023), K-12 (No. 3, 2019) and Cry Baby (No. 6, 2015).

HADES’ first-week sales were bolstered by its availability across multiple vinyl and CD variants, deluxe boxed set editions containing branded merch and a copy of the physical album, and signed vinyl and CD editions.

Morgan Wallen’s chart-topping I’m the Problem falls 3-4 on the Billboard 200 with 76,000 equivalent album units earned (down less than 1%).

Yeat collects his seventh top 10-charted effort on the Billboard 200 as ADL arrives at No. 5 with 57,000 equivalent album units earned. Of that sum, album sales comprise 26,000 (it debuts at No. 4 on Top Album Sales), SEA units comprise 31,000 (equaling 32.53 million on-demand official streams of the set’s songs; it debuts at No. 12 on Top Streaming Albums) and TEA units comprise a negligible sum.

ADL’s opening-week sales were aided by its availability across multiple vinyl and CD variants, deluxe boxed set editions containing branded merch and a copy of the physical album, and signed editions.

Luke Combs’ The Way I Am dips 2-6 in its second week on the Billboard 200 with 55,000 equivalent album units earned (down 45%), while Olivia Dean’s The Art of Loving shifts 6-7 (54,000 units, up 1%). The rest of the top 10 comprises former No. 1s, as Don Toliver’s OCTANE moves 5-8 (53,000 units, down 3%), Bad Bunny’s DeBÍ TiRAR MáS FOToS drops 7-9 (50,000 units, down 7%) and Harry Styles’ Kiss All the Time. Disco, Occasionally. falls 4-10 (48,000 units, down 25%).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.


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Jack White returned to Saturday Night Live with a pair of brand new songs.

After making a cameo in a star-studded monologue alongside host Jack Black, the 50-year-old Detroit rocker took the stage to deliver two just-released, electrifying tracks: “Derecho Demonico” and “G.O.D. And The Broken Ribs.”

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For his first performance, White appeared on a blue-lit stage stacked with wooden crates and a white statue featuring a glass skeleton head, performing “Derecho Demonico” with a backing band. Later in the show, he returned wearing a jacket emblazoned with a NASA logo — likely a nod to the recently launched, moon-bound Artemis II mission — to deliver the feral “G.O.D. and the Broken Ribs.

“Well, it’s the beginning of the world now/ And there’s nobody left… Let’s start again… Let’s do it all over again,” the artist sings on the track.

White’s most recent solo album, No Name, was released in 2024.

During the opening monologue, White joined in for a surprise performance of the White Stripes’ “Seven Nation Army.” The segment also featured host Black alongside several returning members of the show’s Five-Timers Club, including Tina Fey, Jonah Hill, Candice Bergen and Melissa McCarthy.

Saturday’s episode marked Black’s fifth time hosting, while White served as the musical guest for the sixth time, including his SNL debut with the White Stripes in 2002.

Black is currently promoting his return as the voice of Bowser in the animated sequel The Super Mario Galaxy Movie, which arrived in theaters on April 1. He made his solo Billboard Hot 100 debut in 2023 with “Peaches” from The Super Mario Bros. Movie, which peaked at No. 56 on the chart.

Watch White’s SNL performances below, and find all the ways to stream the full episode here.


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Pepsi is withdrawing its sponsorship of London’s Wireless Festival following criticism over the event’s decision to book Ye.

The food and beverage giant had served as the festival’s main sponsor for a decade but is now stepping away amid backlash over Ye (formerly known as Kanye West) being announced as the headliner for all three nights.

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“Pepsi has decided to withdraw its sponsorship of Wireless Festival,” a Pepsi spokesperson told Billboard on Sunday (April 5).

The London festival had been branded “Pepsi MAX Presents Wireless” as part of a partnership in place since 2015. The event is organized by Festival Republic, which is part of Live Nation.

This year’s Wireless is scheduled for July 10–12 at Finsbury Park in London. West previously headlined the event in 2014.

Pepsi’s withdrawal came hours after British Prime Minister Keir Starmer condemned organizers for booking the embattled rap star.

“It is deeply concerning that Kanye West has been booked to perform at Wireless despite his previous antisemitic remarks and celebration of Nazism,” Starmer said, according to The Guardian.

“Antisemitism in any form is abhorrent and must be confronted clearly and firmly wherever it appears. Everyone has a responsibility to ensure Britain is a place where Jewish people feel safe and secure.”

Ye has faced repeated criticism in recent years for antisemitic statements and actions, including releasing a song titled “Heil Hitler,” selling T-shirts bearing swastikas and publicly expressing admiration for Nazi ideology. In January, he took out a full-page ad in the Wall Street Journal apologizing for his repeated incidents of hate speech, claiming that his 2022 car crash caused brain damage that led to mental health issues.

Starmer was not the only political figure to speak out. London Mayor Sadiq Khan said in a statement to Complex, “We are clear that the past comments and actions of this artist are offensive and wrong, and are simply not reflective of London’s values. This was a decision taken by the festival organizers and not one that City Hall is involved in.”

The Jewish Leadership Council also issued a statement condemning the festival’s decision to book Ye.

“It is deeply irresponsible for Wireless festival to be headlining Kanye West,” a spokesperson for the Council told The Guardian. “The UK Jewish community is facing record levels of antisemitism, including a terrorist attack in Manchester, the attack on ambulances in Golders Green and foiled plots which would have killed many more.”

The Chicago native released his 12th studio album, Bully, on March 28, marking his first solo project since 2022’s Donda 2. Ye recently returned to the stage in the U.S. in support of the album, performing a pair of shows at SoFi Stadium in Los Angeles after opening 2026 with a performance in Mexico City.

West is next scheduled to perform at RCF Arena in Reggio Emilia, Italy, on July 18, shortly after his planned Wireless Festival appearance.


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5 segundos discos que superaron las expectativas

En la historia del rock, los segundos discos siempre significaron un reto y una prueba. Si un LP debut sirve para llamar la atención, el siguiente álbum define si una banda tiene lo necesario para mantenerse en el tiempo. El llamado “síndrome del segundo disco” hundió carreras prometedoras, pero también dio lugar a obras maestras […]

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The Beatles

El 29 de agosto de 1966, en el Candlestick Park de San Francisco, The Beatles subieron al escenario sin anunciar que estaban a punto de cerrar un capítulo fundamental de su historia. Ante unas 25 mil personas que dijeron “presente” aquella noche, los Fab Four ofrecieron un show más dentro de su gira, aunque para […]

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The Edge

Desde sus comienzos con U2, allá por mediados de la década de los 70, The Edge desarrolló una visión muy definida sobre lo que el rock debe representar. En contraste con las corrientes más complejas y técnicas que surgieron dentro del género, el violero sostuvo una postura crítica hacia ciertos estilos, en especial uno que […]

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La idea de que algunas personas tienen una relación más profunda con la música que otras no es solo una percepción subjetiva, sino que cuenta con respaldo científico. Diversos estudios han demostrado que quienes experimentan escalofríos, o la popularmente conocida “piel de gallina”, al escuchar ciertas canciones, presentan diferencias reales en la forma en que […]

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A lo largo de su carrera, Eric Clapton destacó a distintos artistas que influyeron en su forma de entender la música, pero pocos recibieron elogios tan contundentes como J.J. Cale. Para el guitarrista británico, la obra de su colega no solo sobresale por su calidad, sino también por su capacidad para reflejar con autenticidad una […]

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La salud mental ha sido abordada en el cine en múltiples ocasiones. Desde clásicos como Atrapado sin salida hasta films más recientes como Sick of Myself, las diferentes patologías han dado lugar a historias singulares. A continuación, repasamos cinco películas que abordan distintos trastornos mentales. El aviador 2004 – Dir. Martin Scorsese En este film […]

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Divididos volvía a la tapa de Rolling Stone después de 26 años y el suceso merecía una producción especial. Lo primero que surgió en las charlas con la banda fue trabajar con el concepto central de su nuevo álbum, bautizado no casualmente Divididos. “Por esas cosas que nos hace el tiempo/ por laberintos de rosales voy/ Cae la flor sobre su propia espina/ No hay sueño que no lleve cicatriz”, canta Ricardo Mollo en “Bafles en el mar” y el verso se coló en la portada del disco, una vez más a cargo de Alejandro Ros.

“En el disco hay un concepto que está sintetizado en esos dos colores de la tapa, que remiten un poco a nuestra patria y cuenta de dos energías que se desencuentran, porque una tira para un lado y la otra tira para el otro, y genera ese desgarro”, dice Diego Arnedo. “Esa sutura es un poco una expresión de deseo. Juntar eso de nuevo, esa polarización, tratar de que con esa sutura, en algún momento, los hilos se disuelvan y suceda eso que todos queremos: la unión de los argentinos” (leé la nota completa con Divididos acá).

 “La cicatriz es una expresión de deseo, la costura de las heridas de una sociedad que gracias a muchos factores se polariza y al polarizar se pierden un montón de matices y en esa pérdida viene la división. Por eso también el disco se llama Divididos. Estamos divididos, pero queremos coser esa división y poder aliarnos en este viaje”, completa Mollo citando otra de las letras del disco, “Aliados”.

Con ese concepto en mente, el fotógrafo Diego Arnedo (sobrino de Diego, fotógrafo personal de la banda y exdirector de fotografía de Roling Stone) pensó en jugar con esa bandera zurcida para la portada del número de abril de la revista. Para ello se armaron dos opciones: Dos paneles unidos por un elástico negro (realizado por Adriana Maestri) y una gran bandera blanca y celeste (confeccionada por Susana Vertone) para poder envolver a los tres músicos que, en parte, también hacía referencia a una icónica fotografía de The Who.

FOTO: IGNACIO ARNEDO

Mollo, Arnedo y Catriel Ciavarella se entregaron con su mejor humor a la producción y allí pusieron sus cabezas saliendo del lienzo. El guitarrista se jugó sus rodillas y aceptó tirarse al suelo, el baterista fue al medio y el bajista arriba de todo. “¿Qué caras ponemos?”, preguntó Ciavarella y los tres lanzaron su seguidilla de gestos. “Las caras de Diego son las mejores”, concluyeron todos rápidamente, con Arnedo entregando todo ante la cámara. “Parecemos los tres chiflados”, asegura el bajista cuando ve la foto en el monitor y el trío estalla en carcajadas.

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Una publicación compartida por Divididos (@divididosoficial)

“¡Dale, apurate Nacho!”, insiste Catriel, un tanto atorado entre el zurcido, mientras Mollo pide una almohada para las rodillas y sugiere una posible próxima profesión: “contorsionistas”. Divididos posteó la semana pasada un video con el backstage de la producción, que resume una tarde de risas y profesionalismo. “¡Detrás de la foto de tapa hubo un gran trabajo en equipo!”. Así fue y así quedó una de las portadas de Rollng Stone que quedará por siempre en la historia del rock de acá.

The post Cómo se hizo la tapa de Rolling Stone con Divididos: bandera, risas y una definición: “Parecemos los tres chiflados” appeared first on Rolling Stone en Español.