Billie Eilish ya se encontraba inmersa en la gira Hit Me Hard and Soft cuando James Cameron se puso en contacto con la propuesta de transformar el espectáculo en una película de concierto en 3D. La respuesta fue “un sí rotundo, por supuesto”, cuenta la artista en un featurette exclusivo de Hit Me Hard and Soft: The Tour (Live in 3D), que se estrena el 8 de mayo.
La película se registró durante la serie de cuatro conciertos que Billie Eilish ofreció en Manchester, Inglaterra, en julio de 2025. Para entonces, la artista ya había realizado cerca de 80 fechas dentro de la gira, iniciada en septiembre de 2024.El setlist —que combinaba canciones de Hit Me Hard and Soft, Happier Than Ever, When We All Fall Asleep, Where Do We Go? y otros lanzamientos a lo largo de su carrera— ya estaba completamente definido. Lo conocía al detalle, y por un momento le preocupó que la presencia de cámaras sobre el escenario pudiera alterar la integridad del espectáculo.
“Tuvimos una larga reunión creativa. Fue un proceso muy colaborativo, siempre empujándola hacia ciertos lugares fuera de su zona de confort, sin duda”, explica James Cameron.
Sin embargo, cuando surgió la propuesta de incorporar una cámara sobre el escenario, Billie Eilish respondió con firmeza: “Absolutamente no. No quiero cambiar el show”. Según Cameron, le tomó seis meses “convencerla de que la intimidad es mucho más poderosa en 3D”.
Contar con Billie Eilish en la codirección fue clave para mantener un sentido de control y visión en el proyecto, desde la ejecución del performance hasta la iluminación sobre el escenario. James Cameron propuso compartir el rol precisamente porque la artista conocía “cada momento de este show”.
“Realmente me trató como a su igual”, afirma. “Me encanta la idea de que quienes no pudieron ver el show puedan experimentarlo como si hubieran estado ahí… El objetivo de filmar esta película es capturar de verdad ese vínculo increíble que comparto”.
James Cameron también reparó en ello: “Es una conexión emocional, y es real”, afirma, subrayando que va más allá del brillo superficial del estrellato pop. “Es una intérprete de clase mundial”.
La gira Hit Me Hard and Soft marcó el tour más ambicioso en la carrera de Billie Eilish. El recorrido, que concluyó en noviembre de 2025, abarcó 106 conciertos en cuatro continentes. La película no solo inmortaliza el espectáculo, sino que también funciona como un documento que captura a la artista en un momento clave de su trayectoria.
The post Billie Eilish sobre codirigir una película de concierto junto a James Cameron: “Me trató como a su igual” appeared first on Rolling Stone en Español.
No Music For Genocide es una iniciativa de activismo cultural que tiene un interés primordial: presionar a artistas y a la industria musical para que no actúen en países o contextos asociados con violaciones graves de derechos humanos. La organización especialmente entra en acción cuando se acusa a un gobierno de cometer genocidio o crímenes de guerra.
Actualmente, No Music For Genocide es una campaña de boicot cultural dirigida contra Israel. Más de mil artistas y sellos discográficos han restringido el acceso a su música o la han retirado de ese mercado como forma de protesta. La iniciativa se presenta como una respuesta a la situación en Gaza, a las políticas en Cisjordania, a denuncias de discriminación dentro del propio Israel y a la represión de movimientos propalestinos en distintos países, así como a los vínculos de la industria musical con conflictos armados y violaciones de derechos humanos.
Bajo este contexto, la organización se ha revelado para realizar un plan de acción y boicotear Eurovisión. El conocido Festival de la Canción se celebra anualmente por la Unión Europea de Radiodifusión (UER), donde países de Europa —y algunos invitados— envían un artista o grupo con una canción original para competir en directo. La controversia parte con la participación de Israel en el famoso concurso, el cual No Music For Genocide desea frenar.
En una carta abierta publicada por la organización, se lee que el boicot desea frenar que este acontecimiento suceda este mayo, donde millones de personas sintonicen el 70.º Festival de Eurovisión. “Por tercer año consecutivo, verán a Israel celebrado en el escenario a pesar del genocidio que sigue cometiendo en Gaza, mientras que Rusia permanece vetada por su invasión ilegal de Ucrania. Como músicos y trabajadores culturales, muchos de nosotros residentes en la Unión Europea de Radiodifusión (UER), rechazamos que Eurovisión se utilice para encubrir y normalizar el genocidio, el bloqueo y la brutal ocupación militar israelí contra los palestinos”, comparten en el comunicado.
Y agregan: “Nos solidarizamos con los llamamientos palestinos a las emisoras públicas, artistas, organizadores de eventos, equipos técnicos y aficionados para que boicoteen Eurovisión hasta que la UER vete a la emisora israelí cómplice KAN. Aplaudimos la retirada, basada en principios, de las emisoras españolas, irlandesas, islandesas, eslovenas y neerlandesas, y de los numerosos finalistas de las selecciones nacionales que se han comprometido a no participar en Eurovisión. Al igual que los artistas se opusieron a la opresión en Sudáfrica, nos mantenemos unidos ahora”.
La carta también habla sobre la presión que el presidente de Israel del apartheid, Isaac Herzog, ha ejercido sobre la televisora para que la región siga participando en el certamen. Eurovisión respondió que su papel refleja neutralidad, haciendo un reflejo de incongruencia cuando declaró en 2022 que la presencia de Rusia “desprestigiaría la competición”.
“¿Cómo puede un artista o un aficionado a Eurovisión participar con la conciencia tranquila en la próxima edición del concurso en Austria, en medio de los planes estadounidenses e israelíes para establecer campos de concentración con vigilancia extrema en la “Nueva Gaza”? Hay momentos en que el silencio pasivo no es una opción. Nos negamos a guardar silencio cuando la violencia genocida de Israel pone banda sonora y silencia las vidas palestinas. Cuando los niños en las cárceles israelíes sufren palizas por tararear una melodía. Cuando de casi todos los escenarios, estudios, librerías y universidades de Gaza solo quedan montones de escombros, bajo los cuales los cuerpos masacrados aún esperan ser recuperados y recibir un entierro digno”.
La carta hace hincapié en el valor del silencio, que no será opción para lidiar con la situación de esta edición de Eurovisión: “Como artistas, reconocemos nuestra capacidad de acción colectiva y el poder de la resistencia. Nos negamos a callar. Nos negamos a ser cómplices. Hacemos un llamado a otros en nuestra industria para que se unan a nosotros. Y nos solidarizamos con todos los esfuerzos basados en principios para acabar con la complicidad en todas las industrias”.
Con más de 1100 personas que han firmado la carta colectiva para boicotear Eurovisión, podemos encontrar grandes nombres dentro de la industria como Brian Eno, Massive Attack, Sigur Rós, Nadine Shah, Idles, Young Fathers, Kneecap, Erika de Casier, entre muchos otros.
La iniciativa de No Music For Genocide no tiene fronteras y está abierta a todos los artistas y sellos discográficos que deseen unirse.
The post No Music For Genocide hace un llamado para boicotear Eurovisión appeared first on Rolling Stone en Español.
Josh Groban got engaged to his girlfriend of nearly four years, theater actress Natalie McQueen, at the happiest place on Earth. The “You Raise Me Up” singer posted pictures from his Disneyland wedding proposal on Tuesday (April 21), writing on Instagram, “MY BEST FRIEND SAID YES!!!” alongside a photo of the 45-year-old singer laying a big kiss on McQueen, 36, in front of a giant display of flowers in front of the Snow White Wishing Well.
“Sharing this life with you is my happiest place,” Groban added. “Thank you @disneyweddings for helping to make the best day of our lives (so far) so magical.” The happy couple share another kiss in a second pic, with a spinning carousel lighting up the scene in the background. The final picture is of their congratulations engagement cake, festooned with white frosting flowers and three red hearts, not to mention a shot of McQueen’s hefty ring.
They got lots of congratulations from their A-list friends, including Bernadette Peters (“Congratulations you two”), Michael Bublé (“Congrats to you both. What awesome news”), John Stamos (“Magical CONGRATS”) and Busy Philipps (“This is so exciting! Congratulations!”), as well as nice words from Sarah Michelle Gellar, Rita Wilson, The War and Treaty and others.
The pair reportedly started dating in 2022, around the time the veteran English singer and stage actress referred to Groban as her “boyfriend” in a hiking post from September of that year, though they didn’t make it Instagram official until Valentine’s Day in 2023. McQueen has appeared in a number of West End musical productions in her native England, including Chess, Wicked, Starlight Express, Kinky Boots and 9 to 5 The Musical.
The couple won’t have a ton of time to celebrate, as Groban has been tapped alongside with Teddy Swims to perform at the 2026 Grammy Hall of Fame Gala in tribute to their label, Warner Records, on May 8 at the Beverly Hilton in Beverly Hills. That’s the same day Groban will drop his 10th studio album, the 10-track Cinematic, his tribute to movie music, which he recently previewed with a new version of the Elton John/Tim Rice The Lion King classic “Can You Feel the Love Tonight.” He is also gearing up to launch his GEMS North American tour with special guest Jennifer Hudson, slated to kick off on June 2 in Quebec, Canada at Place Bell.
Shania Twain is set to host the Academy of Country Music Awards for the first time. The 61st ACM Awards will stream live on Prime Video on Sunday, May 17 at 8 p.m. ET / 7 p.m. CT / 5 p.m. PT from MGM Grand Garden Arena in Las Vegas, Nevada.
“I’m thrilled to be hosting the 61st ACM Awards in Las Vegas, a place that feels like home,” Twain said in a statement. “It’s such an honor to be part of this incredible night celebrating Country Music’s biggest stars, especially with so many talented women leading nominations this year. I can’t wait to welcome all of the fans and artists out for this unforgettable night.”
“We are honored to welcome global music superstar Shania Twain as our host this year,” ACM CEO Damon Whiteside said. “We couldn’t imagine a more perfect icon to follow our previous iconic hosts, Dolly, Garth, and Reba, blending one of the most important nights in Country Music with the excitement of Las Vegas.” (Editor’s Note: Dolly Parton and Garth Brooks co-hosted the 2023 ACM Awards. Reba McEntire hosted the last two years.)
While this is Twain’s first time hosting the ACM Awards, she hosted the People’s Choice Country Awards in September 2024. That was the second and apparently final installment of that show, which aired on NBC and streamed on Peacock.
Twain is a three-time winner at the ACM Awards. In 1996, she won both top new female vocalist and album of the year for The Woman in Me. Four years later, she won entertainer of the year. In addition, in 2023, she received an honorary award, the Poet’s Award, in recognition of her songwriting career.
Twain has had six top 10 albums on the Billboard 200, including a pair of No. 1 albums, Up! and Now. She has had three top 10 hits on the Billboard Hot 100 – “You’re Still the One,” “From This Moment On” and “That Don’t Impress Me Much.” Twain, a native of Canada, is also a five-time Grammy Award winner.
Twain’s selection as host was considered a surprise. McEntire has hosted or co-hosted the ACM Awards 18 times and is just one show away from tying Bob Hope‘s record as the most-frequent host of any major awards show. Hope hosted or co-hosted the Oscars 19 times between 1940 and 1978.
This is the second time in two weeks that ACM Awards executive producer and showrunner Raj Kapoor has confounded expectations with his choice of a host. On April 9, P!nk, who has yet to appear on Broadway (but is a theater fan) was announced as host of the 2026 Tony Awards, another of the many shows Kapoor is overseeing.
Returning to the Sunday night timeslot, the ACM Awards will feature performances by Cody Johnson, Kacey Musgraves, Lainey Wilson, Little Big Town, Miranda Lambert, and Riley Green, with more to be announced in the coming weeks.
Tickets for the 61st ACM Awards and ACM Awards week events are available for purchase on AXS.com.
Established in 1966, the Academy of Country Music Awards is the longest-running country music awards show. The show made history in 2022 as the first major awards ceremony to exclusively livestream, in collaboration with Prime Video. Fans will also be able to watch this year’s show on the Amazon Music channel on Twitch, as well as in the Amazon Music app.
The 61st Academy of Country Music Awards is produced by Dick Clark Productions (DCP). Kapoor and Patrick Menton are executive producers, with Kapoor also serving as showrunner. Damon Whiteside serves as executive producer for the Academy of Country Music, and Jay Penske and Barry Adelman serve as executive producers for DCP. John Saade will also continue to serve as consulting producer for Amazon MGM Studios.
The ACM Awards are produced by Dick Clark Productions, which is owned by Penske Media Eldridge, a joint venture between Eldridge Industries and Billboard parent company Penske Media.
The U.K.’s Official Charts Company has shared an update for its leadership following the departure of its former chief executive.
In March, Martin Talbot announced that he was stepping down from the role after 18 years. Talbot assumed the position in 2007 and led the OCC — which tracks music sales in the U.K. — during a revolutionary tenure which saw the charts adapt to new sales strategies and the introduction of streaming services.
The Official Charts Company publishes a number of charts on a weekly basis, including the Official Albums Chart and Official Singles Chart, both of which are currently topped by Olivia Dean with her The Art of Loving LP and “Rein Me In,” a collaboration with Sam Fender.
In a memo sent to Billboard and a number of clients and partners, Official Charts’ chairman, Drew Hill, shared an update regarding their leadership structure in the coming months.
With immediate effect, Chris Austin and Becca Monahan will jointly assume interim leadership of the company as co-managing directors. Hill adds that “Chris and Becca will be further supported by Lauren Kreisler, ensuring continuity of senior management team leadership, and a consistent focus across all key areas of the business.”
The note continues that over the coming months, “the board will consider the long term requirements” of the Official Charts, and that it is “very much business as usual.” Hill also praised Talbot for his leadership over the past 18 years and said “his leadership has helped shape not only the organisation, but the wider UK music and entertainment landscape and we wish him every success in the future.”
The Official Charts company reports it is due to launch “a brand new, state-of-the-art data system later this year following the largest infrastructure investment in the company’s history” as part of a new contract with market research comapany Kantar, which was finalized in 2025.
Read the full memo below.
Dear clients and partners,
With the recent departure of Official Charts’ CEO Martin, I am writing to share an update about Official Charts’ leadership moving forwards
Naturally, I and the Board want to recognise Martin’s significant contribution to the Official Charts Company. His leadership has helped shape not only the organisation, but the wider UK music and entertainment landscape and we wish him every success in the future.
With immediate effect, Chris Austin and Becca Monahan will jointly assume interim leadership of the company as Co-Managing Directors. Both bring a strong understanding of our business and have the full confidence of the Board to lead the Official Charts in the coming months.
Chris and Becca will be further supported by Lauren Kreisler, ensuring continuity of senior management team leadership, and a consistent focus across all key areas of the business.
Over the coming months the board will consider the long term requirements of the Official Charts. In the meantime, it is very much business as usual. Our priorities remain unchanged, and the work Official Charts does with its clients and partners is hugely important. The Board is hugely excited about the future and looking forward to working with the team.
Regards
Drew Hill
Chair, Board of Directors
Billboard News caught up with wrestlers and fans at WrestleMania 42. We asked what they thought was the best wrestling entrance theme of all time. From interviews with John Cena to talking with Liv Morgan about her new music video for “Trouble,” keep watching to see everything you missed.
Carl Lamarre:
We’re on the ground at WrestleMania 42 asking wrestlers and fans what they think is the best wrestling entrance theme of all time. From interviews to ISHOWSPEED to the Hall of Fame to finally meeting the elusive rapper wrestler John Cena, we did it big, now tap in.
Ricky Saints: The best wrestling theme of all time is “Stone Cold” Steve Austin, “Glass Shatters.” You hear it and you’re ready to go.
Nia Jax: You already know “Stone Cold” Steve Austin, 100% this is probably hands down the best.
Jacob Fatu: I used to just be in the kitchen just breaking glass like that and walking out. Mom: “Jacob,” “Hold on, mom.” It’s legendary, come on, man.
Carl Lamarre: You, ISHOWSPEED. Talk about that dynamic and what it’s going to be on Saturday, going against Logan Paul, Austin Theory, ISHOWSPEED.
LA Knight: I show fist in his face, and that’s what it’s gonna be.
Carl Lamrre: Let me ask you this because a lot of us have been trying to figure out, like Speed’s in the ring ability. We’ve seen a little bit with Randy Orton the whole evolve thing. What have you been able to see so far?
Austin Theory: I see a guy that, you know, he jumps over cars, so you put him in a wrestling ring, he can do a lot of cool things, especially with the top rope. I can tell you know, when he gets slammed, it hurts. He’s like, what’s up with this? Why is it so hard? But he’s very talented, and he’s very hard working, and he’s somebody that he wants to understand it. And I think going into Wrestlemania, he does have that pressure on his shoulder, no pun intended for me, but he has that pressure of feeling like, “wow, this is my first match at WrestleMania, and I’m 21 here we go. I’m not just in a random little match. This is as big as it gets. We’re taking on the USOS an LA Knight. Also LA Knight’s an idiot because he only knows one word, but um, yeah.
Keep watching for more!
RAYE’s career arc is better than any tale told in a Disney film.
Born and raised in London, the singer and songwriter is a former BRIT School student and nominee for BBC Music’s Sound award, an identifier of the next big thing. Then, she landed a record deal with Polydor, a frustrating era that boiled over when, in 2021, she tweeted that the major label wouldn’t let her release an album. Shelved, in the industry vernacular.
RAYE split with the music company and went independent, signing with distribution and artist services company Human Re Sources, a relationship that continues to this day.
Then, the magic happened. In January 2023, RAYE nabbed her first U.K. No. 1 single with “Escapism” (featuring 070 Shake) and went on make history. In March 2024, she collected a record haul of six BRIT Awards, including album of the year and artist of the year. That effort smashed the old record of four awards in one night, held jointly by Harry Styles (2023), Adele (2016) and Blur (1995).
In January 2026, she scored her second U.K. No. 1 with “Where Is My Husband?” It peaked at No. 13 on the Billboard Hot 100, the best placed of her three titles to impact the chart.
“Where Is My Husband” appears on her sophomore studio effort, This Album May Contain Hope, which dropped in March of this year. Hope debuted at No. 1 in the U.K., her first leader. In the United States, she bagged a career best No. 11 on the Billboard 200 chart, and she’s set to receive the Hal David Starlight Award at the 2026 Songwriters Hall of Fame gala. A headline spot awaits at the Montreux Jazz Festival.
Before all that, RAYE returned to The Late Show With Stephen Colbert on Tuesday night (April 21), three years after her performance of “Escapism.” This time, she delivered a double hit of live music. RAYE took the mic for a performance of “Clack Clack Symphony,” shot in black and white. And, in a bonus for guests at the Ed Sullivan Theater and late owls watching at home, RAYE doubled up with performance of “Joy,” dazzling in a yellow summer dress.
For both spots, RAYE was supported by a full band and an ensemble of backing vocalists, including her sisters Lauren (“Amma”) and Abby-Lynn (“Absolutely”).
Watch below.
Olivia Dean now has membership into Spotify’s Billions Club.
The fast-rising British pop star achieves her milestone moment with “Man I Need,” which crosses the threshold with one billion plays on the Sweden-based streaming music platform.
It’s one of many recent plaudits for Dean, who was named best new artist at the 2026 Grammy Awards, swept the 2026 BRIT Awards with four wins, including artist of the year and album of the year, and collected a hattrick of honors at the 2026 MOBO Awards.
Also, Dean is the female artist with the biggest increase in global streams on Spotify in the past year, and she performed her signature song at the Spotify Best New Artist party during Grammy Week.
In Australia, “Man I Need” has collected 20 non-consecutive week at No. 1 on the ARIA Chart, making it the second-longest reigning single in the history of the national charts, which were first published in 1983. Only Tones and I’s “Dance Monkey” has more weeks at the top (24).
In the United Kingdom, she became the first female solo artist in Official Charts history to have four songs in the top 10 simultaneously, a feat achieved last October with her No. 1 “Man I Need,” along with The Art of Loving cuts “So Easy (To Fall in Love),” “Nice To Each Other,” and her collaboration with Sam Fender, “Rein Me In.”
On the other side of the Atlantic, Dean is the Rookie of the Year for Billboard’s 2025 Greatest Pop Stars series and, earlier this month, was crowned on Billboard’s Adult R&B Airplay chart with “Man I Need,” recognizing the most-played song on panel-contributing adult R&B radio stations in the United States.
Dean can add to her collection of silverware at the 71st Ivor Novello Awards, to be presented May 21 in London. Dean is one of the frontrunners at the Ivors, with two nominations: best album and The PRS for Music most performed work categories.
“Man I Need” is now added to Spotify’s Billions Club playlist, which now numbers 1,255 songs. Stream it below.
The Museum of Broadcast Communications today announced the nominees for the 2026 Radio Hall of Fame. The 24 nominees were chosen by the Radio Hall of Fame nominating committee, with input from the radio industry and listeners.
Voting for inductees begins on Friday, April 24, and runs through Friday, May 8. The top six vote recipients will become part of the 2026 Radio Hall of Fame Induction class. The additional inductees that will make up the induction class will be selected by the Radio Hall of Fame nominating committee. This is a mechanism for ensuring balance in each year’s class.
Nearly 1,000 industry members will receive a ballot on Friday (April 24) to cast votes for up to six nominated individuals. The confidential ballot will be conducted by Votem.com and overseen by Miller Kaplan‘s Andrew Rosen.
The 2026 inductees will be announced on Wednesday, May 20, and be honored at the 2026 Radio Hall of Fame induction ceremony on Thursday, Oct. 8, at the Fairmont Hotel in Chicago. Information on tickets for the event will be available soon.
Dennis Green, co-chairman of the Radio Hall of Fame, said, in a statement: “This year marks the 38th class of inductees as we celebrate those who have made a lasting impact on the industry — many of whom continue to shape it today. Congratulations to all the nominees.”
Kraig T. Kitchin, co-chairman of the Radio Hall of Fame, added: “This special group of individuals and programs nominated for induction in 2026 epitomizes the wide spectrum of talented individuals our industry is fortunate to rely on and build large audiences around. My congratulations to each of them.”
Ten of this year’s nominees also appeared on last year’s ballot: Big D & Bubba, Bob Stroud, Enrique Santos, Funkmaster Flex, Joey Reynolds, John & Ken, Kevin Matthews, Kid Leo, Larry Elder and Raul Brindis.
The Radio Hall of Fame was founded by the Emerson Radio Corporation in 1988. The Museum of Broadcast Communications took over operations of the Hall in 1991.
Here’s the complete list of 2026 nominees:
- Andie Summers
- Big D & Bubba
- Bob Stroud
- Boomer Esiason
- Charlie Van Dyke
- Enrique Santos
- Fred Winston
- Funkmaster Flex
- Helen Little
- Joey Reynolds
- John & Ken
- Johnny Magic
- Kevin Matthews
- Kid Leo
- Larry Elder
- Lee Arnold
- Monica May
- Pat Hughes
- Raul Brindis
- Rickey Smiley
- Ryan Cameron
- Shotgun Tom Kelly
- The Electrifying Mojo
- Wait Wait… Don’t Tell Me!
The 2025 inductees were:
- Tom Carballo (Mojo), Mojo in the Morning – WKQI FM / Detroit
- Alice Cooper, Nights With Alice Cooper/Alice’s Attic
- Colin Cowherd, The Herd with Colin Cowherd
- DeDe McGuire, DeDe in the Morning
- Mike McVay, McVay Media
- Martha Quinn, The Martha Quinn Show, iHeartMedia
- Bob Lacey and Sheri Lynch, The Bob & Sheri Show
- Scott Simon, Weekend Edition Saturday, National Public Radio
- Shelley “The Playboy” Stewart
- Julie Talbott, Premiere Networks
Dave Mason, the celebrated singer, songwriter and musician who was inducted into the Rock & Roll Hall Of Fame as a co-founder of Traffic, died Sunday (April 19) at the age of 79.
“On behalf of his family, it is with deep and profound sadness that we share the news of the passing of Dave Mason,” reads a statement from his publicists.
According to reps, Mason passed away peacefully at his home in Gardnerville, NV. Mason, the message continues, “lived a remarkable life devoted to the music and the people he loved.”
Born in post-war England, in 1946, Mason rose to prominence with the blues-rock band Traffic, for which he contributed writing credits and lead vocals for such tracks such as “Hole in My Shoe” and “Feelin Alright?,” which would be recorded by dozens of artists, including Joe Cocker, the Jackson 5, and John Belushi.
Mason also enjoyed an impressive solo career, which got underway in 1970 with his debut solo album, Alone Together, which peaked at No. 22 on the Billboard 200, and featured the Billboard Hot 100 hit “Only You Know and I Know.” Let It Flow from 1977 was a platinum smash, yielding the single “We Just Disagree.”
As a collaborator, Mason was a wanted man. Across the years, he recorded or performed with the likes of George Harrison, Paul McCartney, the Rolling Stones, Jimi Hendrix, Eric Clapton, Michael Jackson and others. His guitar work can be heard on Hendrix’s “All Along the Watchtower,” on the Stones’ “Street Fighting Man,” McCartney’s “Listen to What The Man Said” and on fellow Beatle Harrison’s own collection All Things Must Pass.
Traffic finally broke up in 1974 after releasing 11 albums, four of which cracked the top 10 on the Billboard 200. While active, four Traffic singles crashed the Billboard Hot 100 chart. The rockers reunited two decades later to tour in 1993-94, while Mason hit the road with Traffic drummer Jim Capaldi in 1998.
In 2004, Mason was inducted into the Rock & Roll Hall of Fame as a member Traffic. Bandmates Capaldi and Steve Winwood performed “Dear Mr. Fantasy” at the ceremony. The following year, Capaldi died after a brief battle with stomach cancer, aged 60.
Mason returned to the Rock Hall in 2009 for an official VIP induction pre-party at the pillar’s museum, where he played an acoustic set that included “Dear Mr. Fantasy” and his rendition of Bob Dylan’s “All Along the Watchtower.”
His most recent solo album release, A Shade of Blue, dropped in 2025. However, Mason recently called time on touring after 60 years, citing ongoing health challenges.
He is survived by his wife and partner, Winifred Wilson, his daughter Danielle, nephew John (Trish) Leonard and niece Michelle Leonard, as well as his brothers in law Sloan (Claudia) Wilson and Walton (Barbara Sims) Wilson. He was preceded in death by his son, True and his sister, Valerie Leonard.








