Paul McCartney is a master of the fake-out. The first feint around his new album, “The Boys of Dungeon Lane,” came when he released “Days We Left Behind” as the first single, an exceedingly gentle and wistful ballad that allowed for the possibility that the whole LP might be a collection of acoustic memory songs. […]
Toward the beginning of his new song “Janice STFU,” Drake conducts one of his customary exercises in emo theater: “You say what my work means to me will one day be the death of me / They tried to kill me once, but, darling, you just resurrected me.” It feels melodramatic, but this time, it’s […]
Nearly a decade after releasing her debut “SweetSexySavage,” Kehlani has finally arrived at the self-titled album. An eponymous project this deep into a career is no small proclamation — it’s traditionally a one-time event that’s meant to suggest a body of work is so emblematic that it speaks for itself, or it reflects the artist in […]
Nine Inch Noize, the new collaborative project between Nine Inch Nails and Boys Noize, is billed as the “culmination” of the trio’s work together, from Boys Noize reworking the original score for Challengers, to the thumping synthwave found in TRON: Ares, to them joining forces live during the band’s “Peel It…
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